The Shadow of Dante in French Renaissance Lyric: Scève’s "Délie"

Description

This book presents an interpretation of Maurice Scève's lyric sequence 'Délie, object de plus haulte vertu' (Lyon, 1544) in literary relation to the 'Vita nuova', 'Commedia', and other works of Dante Alighieri. Dante's subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in 'Délie' to the 'Canzoniere' of Petrarch (Francesco Petrarca). Scève's sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch's vernacular poetry, in a time when 'imitatio' was an established literary practice, signifying the poet's participation in a tradition. While the 'Canzoniere' is an important source for Scève's 'Délie', both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for 'Délie'. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch. Acknowledgments List of illustrations Textual Note Introduction 1. “Ce Poëte ayant quasi l’esprit et l’entendement de Dante” 2. Scève and fin’amor: “Jouir d’un coeur, qui est tout tien amy” 3. Scève, Ficino, Cavalcanti: “Parfeit un corps en sa parfection” 4. Scève and Dante: “Fedeli d’amore” 5. Scève and Dante: “Incessamment travaillant en moy celle” 6. Scève and Dante: “L’amor che qui raffina” 7. Scève and Petrarch: “Ardor fallace” 8. Scève and Petrarch: “Constituée idole de ma vie” Conclusion Selected Bibliography Index Index of Poems and Cantos Cited