ENGLISH

The Shadow of Dante in French Renaissance Lyric: Scève’s “Délie”

By Alison Baird Lovell

Book information

Publisher
Medieval Institute Publications
Year
2020
ISBN
9781501513596, 9781501517976
DOI
10.1515/9781501513596
Language
english
Format
PDF
Filesize
3 MB (3082620 bytes)
Series
Research in Medieval and Early Modern Culture; 26
Pages
283\288
Library
degruyter.com
Time added
2023-08-20 03:02:38

Description

This book presents an interpretation of Maurice Scève’s lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch’s vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is an important source for Scève’s Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for Délie. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.

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