Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics
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Description
Cover Half Title Title Page Copyright Page Table of Contents List of Figures Acknowledgments Chapter 1: Introduction The Development of Title Sequences Primary Recognition Emergent Identification Notes Chapter 2: Direct Synchronization The Synchronized Naturalistic Synchronization Diegetic and Non-Diegetic Synchronization Notes Chapter 3: Natural Artifice The “visual Music” Heritage The Ideology of Synchronization Illustrative Synchronization Notes Chapter 4: Counterpoint Reservations about the “Talkies” Counterpoint Synchronization Quotational Counterpoint Notes Chapter 5: Songs and Voice-Over Music Title Songs Narrated Montages Notes Chapter 6: Conclusions The Statement of Synchronization The Immanence of Ideology The Role of Music and Theme Songs Notes Index
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