Experiencing Music and Visual Cultures: Threshold, Intermediality, Synchresis
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Bringing the research of musicologists, art historians, and film studies scholars into dialogue, this book explores the relationships between visual art forms and music. The chapters are organized around three core concepts – threshold, intermediality, and synchresis – which offer ways of understanding and discusssing the interplay between the arts of sounds and images. Refuting the idea that music and visual art forms only operate in parallel, the contributors instead consider how the arts of sound and vision are entwined across a wide array of materials, genres and time periods. Contributors delve into a rich variety of topics, ranging from the art of Renaissance Italy to the politics of opera in contemporary Los Angeles to the popular television series Breaking Bad. Placing these chapters in conversation, this volume develops a shared language for cross-disciplinary inquiry into arts that blend music and visual components, integrates insights from film studies with the conversation between musicology and art history, and moves the study of music and visual culture forward. Cover Half Title Series Page Title Page Copyright Page Contents Notes on contributors Introduction PART I: Setting the scene 1. Synch: scenes of implication 2. Armida in-between: the translation of the affetti PART II: Voice as presence and absence 3. La voix humaine (1959–2016) and the “epiphany” of the performer’s identity 4. Puppets that sing or scenery that breathes: Phelim McDermott’s Satyagraha 5. Manipulating (public) images in the contemporary music documentary 6. A new Carmen for a new Spain: nationalism and cinema during the Spanish Civil War PART III: Beyond borders 7. “Uber opera”: the politics of site-specific mobile opera in Los Angeles 8. Quel trouble me saisit?: the arrested gaze of Armide in Poussin, Quinault and Lully 9. Music in Cuban revolutionary cinema: musical experimentation in the service of revolutionary ideology 10. Ken Russell’s Mahler: a musical phantasmagoria 11. There’s meth in the madness: music and incongruence in AMC’s Breaking Bad PART IV: From silence to sound and back 12. Music, painting, cosmos, chaos: flaying and playing in Titian’s Marsyas 13. Armonia, seeing and hearing in Paolo Veronese’s Le nozze di Cana 14. Listening to space in time 15. The allowable voices of silent opera films in 1910s Ireland Index
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