ENGLISH

Scenography and Art History: Performance Design and Visual Culture

By Astrid von Rosen; Viveka Kjellmer

Book information

Publisher
Bloomsbury Visual Arts
Year
2021
ISBN
9781350204447, 9781350204478, 9781350204454
Language
english
Format
PDF
Filesize
30 MB (31931245 bytes)
Pages
\269
Time added
2023-05-22 12:28:10

Description

Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society. Title Page Copyright Page Contents Illustrations Contributors Foreword: The stage of writing and drawing art’s histories Foreword: At the borders of scenography Acknowledgements Chapter 1: Introduction: Re-imagining scenography in relation to art history Chapter 2: Black goats and broomsticks: Feminism and the figure of the witch in Leonor Fini’s designs for Le Sabbat Chapter 3: Scenographing the dance archive – keep crawling! Chapter 4: Michael Chapman’s Rauschenberg: Mise en scène and scenography in Taxi Driver Chapter 5: A dynamic bipolarity: The Royal Holloway Chapel project, scenography and art history Chapter 6: Killed by drones: Embodying live performance scenography Chapter 7: Evocations of the ‘sonore et voilé’: The scenographic world of Der Ring in the art of Henri Fantin-Latour Chapter 8: Visual couture: Costume agency in the advertising campaign Opera Papier Chapter 9: ‘Re-dressing the part’: The ‘scenographic strategies’ of Ellen Terry (1847–1928) Chapter 10: Scenographing festival books: Towards a multisensory archive Chapter 11: Scenographic events: Interfacing with digital fashion stories Chapter 12: Beyond change: Archaeology of a spook play Index

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