Disability and Art History from Antiquity to the Twenty-First Century

Description

This volume analyzes representations of disability in art from antiquity to the twenty-first century, incorporating disability studies scholarship and art historical research and methodology. This book brings these two strands together to provide a comprehensive overview of the intersections between these two disciplines. Divided into four parts: Ancient History through the 17th Century: Gods, Dwarfs, and Warriors17th-Century Spain to the American Civil War: Misfits, Wounded Bodies, and Medical Specimens Modernism, Metaphor and CorporealityContemporary Art: Crips, Care, and Portraiture and comprised of 16 chapters focusing on Greek sculpture, ancient Chinese art, Early Italian Renaissance art, the Spanish Golden Age, nineteenth century art in France (Manet, Toulouse-Lautrec) and the US, and contemporary works, it contextualizes understandings of disability historically, as well as in terms of medicine, literature, and visual culture. This book is required reading for scholars and students of disability studies, art history, sociology, medical humanities and media arts. Cover Half Title Title Page Copyright Page Table of Contents List of figures List of tables List of contributors Introduction PART 1 Ancient history through the seventeenth century: gods, dwarfs, and warriors 1 Hephaestus represented: a mêtis-based inquiry 2 The role of dwarfs in Tang postmortem elite life 3 Disability and poverty at the Brancacci Chapel 4 Disability at the edge of war: gendered violence in the graphic practice of Urs Graf PART 2 Seventeenth-century Spain to the American Civil War: misfits, wounded bodies, and medical specimens 5 Destierro and Desengaño: the disabled body in Golden Age Spanish portraiture 6 An inartistic interest: Civil War medicine, disability, and the art of Thomas Eakins 7 Empty sleeves and bloody shirts: disabled American Civil War veterans and presidential campaigns, 1864–1880 PART 3 Modernism, metaphor, and corporeality 8 Deaf gain: Toulouse-Lautrec’s early training with René Princeteau 9 Manet’s syphilis: masculinity, debility, and adaptation in the 1880s 10 Facially disfigured veterans of World War I in present-day art: an art historical analysis against the background of medical history 11 Disability metaphor and American individualism: beyond The Glass Menagerie 12 “Building the World of Tomorrow”: disability, eugenics, and sculpture at the 1939 New York World’s Fair 13 Aesthetics of disability and the hybrid body in Louise Bourgeois’s Femme Maison PART 4 Contemporary art: crips, care, and portraiture 14 Listening to the queer-crip body of Derek Jarman’s Blue 15 Collaborative portraiture: a feminist disability studies approach to the work of Riva Lehrer and Tanya Raabe-Webber 16 Performing Disability and Endurance: on Carolyn Lazard's Support System (for Tina, Park, and Bob) Index