Yeats, Otherness and the Orient: Aesthetic and Spiritual Bearings

Description

Yeats’s relationships with Otherness and the Orient enabled him to develop his own creative abilities and spiritual understanding in expansive ways. Exotic versions of India, Celtic orientalism, the fervent psychological probings of the nineteenth century (which showed a deep interest in the paranormal), mystical studies aided by such figures as Mohini Chaterjee, Arabist ideas and images, the Japanese Noh, Zen Buddhism, Byzantium, Vedāntic philosophy – all helped the poet to examine and express human interactions with existence that were distinctive in their figuration and underpinnings. Facing Otherness with an extraordinary philosophical and spiritual intensity, he was able to uncover (though never fully or finally anatomize) aspects of the depths of his own being. The Orient also provided him with conceptual and intuitive means to broach humankind’s relation to cosmic order; this resulted in an exploration of the Otherness which underpins existence on quite a remarkable scale, still not fully appreciated by Yeats’s readers. This book seeks to help foster such appreciation. Cover Contents Acknowledgements Prologue: The Daimon and the Problem of Finitude Chapter 1. Orientalism Chapter 2. Style Chapter 3. Indeterminacy, Otherness and Time Chapter 4. The Daimon and Leo Africanus Chapter 5. Per Amica Silentia Lunae, Derrida and Freud Chapter 6. The Noh Chapter 7. Byzantium and Spiritual Aesthetics Chapter 8. India and Spiritual Discrimination Epilogue: The Continuing Energy of Thought Bibliography Index