ENGLISH

Bootlegging: Romanticism and Copyright in the Music Industry

By Lee Marshall

Book information

Publisher
Sage Publications
Year
2005
Language
english
Format
EPUB
Filesize
2 MB (2447596 bytes)
Pages
0\0
Topic
Art Music
Time added
2019-05-16 00:52:18

Description

Acknowledgement Introduction Chapter 1: Lessons from History Authorship and copyright before 1710 The Statute of Anne The battle of the booksellers: literary property defined Copyright in revolutionary France and America Developing a sociological understanding of copyright Notes Chapter 2: Copyright and the Romantic Author ‘Romanticism’ The Romantic author in nineteenth century UK copyright Romanticism and copyright Wordsworth, copyright and immortality The author, his readers and the market The Romantic author in French copyright The hegemony of Romanticism Notes Chapter 3: Romanticism and Popular Music A note on terminology Romanticism and rock authenticity Notes Chapter 4: Romanticism, Copyright and Piracy Romanticism and the music industry Romanticism, commodification and copyright Piracy as an aesthetic crime Notes Chapter 5: Problems and Alternatives Adorno’s culture industry The collective subject and the death of the author A positive public right in copyright Notes Chapter 6: Introduction to Bootlegging Copyright in sound recordings of musical works Bootlegging and international copyright Defining different types of piracy Chapter 7: An Overview of Bootlegging The early history of rock bootlegs Bootleg sources The scale of bootlegging Bootleg collectors A model of bootlegging The ‘protection gap’ Notes Chapter 8: The Impact of Bootlegging on the Record Industry and the Industry’s Response The economic impact of bootlegging Legal responses to bootlegging Anti-bootleg rhetoric Author-centred rhetoric Notes Chapter 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging Contested commodification The dialectic of Romanticism Notes Bibliography Index

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