TheVisualDictionary of Graphic Design

Description

COVER Title page Copyright How to get the most out of this book Introduction Contents The Dictionary A Absolute & Relative Measurements Abstract Expressionism Accents Additive & Subtractive Primaries Alignment Ampersand Analogy Antique Apex Appropriation Art Deco Art Nouveau Arts & Crafts Movement Ascender & Descender Asymmetry Avant Garde B Baseline & Baseline Shift Bauhaus Bellyband Bible Paper Binding Bitmap Blackletter Bleed Boldface Book Detailing Braces Brand Broadside Buckram C Calligraphy Calliper Canadian Binding Channels Chroma Clarendon CMYK Cognition Collage Colour Colour Fall Colour Systems Colour Wheel Colour Wheel Selections Column Concertina Constructivism Continuity Counters Crack Back Creep Cross Alignment Cubism D Dada Dagger Deboss Deckle Edge Deconstruction Denotation Depth of Field Die Cut Dingbats DIN Diphthong Diacritical Marks Dominant & Subordinate Colour DPI, PPI & LPI Drop & Standing Capitals Duotone Duplexing E Ear Eclectic Egyptian Ellipsis Emboss Ems & Ens Expert Sets Exquisite Corpse Extent F Fibonacci Numbers File Formats Filigree Filters Flaps Flock Flood Colour Fluorescent Foil Folding Fore-edge Printing Four-colour Black French Fold Fresco Frieze Frutiger’s Grid G Gamut Gatefold Geometric Golden Section Gradient Graffiti Grain Greyscale Grid Grotesque or Gothic GSM Gutter H Halftone Heraldry Hierarchy Hot metal type Hue Humanist Hyperreality I Icon Identity Ideogram Illustration Imposition Plan Ink Trapping Ink well InterCap (Camel Case) ISO Paper Sizes Italic & Oblique J Juxtaposition K Kerning Kiss Cut Kitsch L Layout Leading Lenticular Letterpress Letterspacing Ligatures Line Art Linocut Lithography Logos & Logotypes M Majuscule & Minuscule Mark Making Master Pages Measure Median Metallic Metaphor Metonym Modernism Moiré Monochrome Montage Mosaic Monospaced Type Mural N Negative Leading Noise Numerals O Occam’s (or Ockham’s) Razor Open Bind Optical Character Recognition Outline Overprint P Pagination Panorama & Vista Paragraph mark Paradigm Parentheses Passe Partout Pastiche Paths Perfect Binding Perforation Perspective Photogram Photomontage Pictogram Pixel Plike Pointillism Point Size Postmodernism Prime Propaganda Psychedelia Pun Q Quadtone R Rag Raster Rebus Recto & Verso Registration Reportage Resolution Reveal Reverse Out RGB Rhetoric Rivers Roll Fold Roman Rule of Thirds S Saturation Scotch Rule & Scotch Typefaces Semaphore Semiotics Sepia Serif & Sans Serif Shiner Showthrough Signifier & Signified Silhouette Silk-screen Printing Simile Small Capitals Special Colours Spot UV Standard Width Typeface Stencil Stress Strikethrough Stock Subscripts Superiors Surprint Surrealism Symbols Symmetry Synecdoche Swash Characters T Tapestry Tertiary Colours Tessellation Thermography Throw Out Thumbnail Tints Tip In Tip On Traditional Paper Sizes Trapping Tritone Trompe L’Oeil Type Anatomy Type Classification Typefaces & Fonts Typogram V Varnish Vector Vernacular Vignette W White Space Widows, Orphans & The Hypho X X-height Z Z Bind Zeitgeist The Details The Timeline Conclusion Acknowledgements Index of Synonyms andCross References BACK COVER