ENGLISH

Writings on Music, Volume II: A Proposal to Perform Musick and Related Writings, 1685-1706

Book information

Publisher
Routledge
Year
2016
ISBN
0754668452, 9780754668459
Language
english
Format
PDF
Filesize
6 MB (5809276 bytes)
Series
Music Theory in Britain, 1500-1700: Critical Editions
Edition
1
Pages
198\202
Time added
2020-06-08 19:17:22

Description

This is the second volume in a two-part set on the writings of Thomas Salmon. Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Salmon proposed a radical reform of musical notation, involving a new set of clefs which he claimed, and Locke denied, would make learning and performing music much easier (these writings are the subject of Volume I). Later in his life Salmon devoted his attention to an exploration of the possible reform of musical pitch. He made or renewed contact with instrument-makers and performers in London, with the mathematician John Wallis, with Isaac Newton and with the Royal Society of London through its Secretary Hans Sloane. A series of manuscript treatises and a published Proposal to Perform Musick, in Perfect and Mathematical Proportions (1688) paved the way for an appearance by Salmon at the Royal Society in 1705, when he provided a demonstration performance by professional musicians using instruments specially modified to his designs. This created an explicit overlap between the spaces of musical performance and of experimental performance, as well as raising questions about the meaning and the source of musical knowledge similar to those raised in his work on notation. Benjamin Wardhaugh presents the first published scholarly edition of Salmon's writings on pitch, previously only available mostly in manuscript. Contents List of Figures Series Editor’s Preface Acknowledgements Abbreviations Introduction 1 Correspondence with John Wallis (1685–6) 2 ‘The Use of the Musical Canon’ (?1686–8) 3 A Proposal to Perform Musick (1688) 4 ‘The Practicall Theory of Musick’ (1702) 5 ‘The Division of a Monochord’ (?1702–6) 6 ‘The Theory of Musick Reduced’ (1705) 7 Correspondence with Hans Sloane (1705–6) Select Bibliography Index

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