ENGLISH

Fascism and Millennial American Cinema

By Leighton Grist

Book information

Publisher
Palgrave Macmillan UK
Year
2018
ISBN
978-1-137-59565-2, 978-1-137-59566-9
Language
english
Format
PDF
Filesize
2 MB (1924637 bytes)
Edition
1st ed.
Pages
IX, 242\247
Time added
2018-08-15 07:07:45
Cultural and Media Studies; American Cinema; Cultu

Description

This book examines a spate of American films released around the turn of the millennium that differently address the actuality or possibility of domestic fascism within the USA. The films discussed span a diversity of forms, genres and production practices, and encompass low- and medium-budget studio and independent releases (such as American History X, Stir of Echoes and The Believer), star and/or auteur vehicles (such as The Siege, Fight Club and American Beauty), and high-budget, high-concept science-fiction films and franchises (such as Starship Troopers, Minority Report, the Matrix and X-Men trilogies and the Star Wars prequels). Central to the book is the detailed analysis of the films, which is contextualized historically in relation to a period that saw the significant rise of the far Right. The book concordantly affords a wider insight into fascism and its various manifestations and how such have been, and continue to be, registered within American cinema. Front Matter ....Pages i-ix Introduction: Fascism, and American Cinema (Leighton Grist)....Pages 1-28 Skinheads, Racism, (Neo-)Nazism and the Family (Leighton Grist)....Pages 29-62 Patriots and Militias, Fascism and the State (Leighton Grist)....Pages 63-113 A (Fascist) New World Order/A (Fascistically Contested) New World Order (Leighton Grist)....Pages 115-156 The Übermensch, its Avatars and the Ordinary (Leighton Grist)....Pages 157-207 Conclusion: The World Turns (Leighton Grist)....Pages 209-226 Back Matter ....Pages 227-242

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