Killing for Show: Photography, War, and the Media in Vietnam and Iraq

Description

See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and dronesA comprehensive comparison of the role of photography in the Vietnam and Iraq WarsAn explanation of the waning power of iconic images in collective memoryAn analysis of the failure of military PR and the public display of killingA focus on what can and cannot be seen, photographed and publishedAn exploration of the power and limits of amateur photographyArguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography Contents Acknowledgements Preface Illustrations: Full Captions and Credits Brief Chronology List of Abbreviations and Acronyms 1. The War of Images Part I: PR 2. Operation Snapshot 3. From Vietnam to Iraq 4. The Triumph of PR 5. The Enemy and the Press Part II: Speed 6. Photographic Acceleration 7. Don’t Show Me That 8. The Look and Speed of War Part III: Gulag 9. Captives on Display 10. Black Sites Part IV: Murder 11. Killing Regimes 12. Depicting the Guilty 13. Patterns of Killing in Iraq 14. Circles of Invisibility Part V: Amateurs 15. Instamatic Terror 16. Photographic Citizens Part VI: Memory 17. The Iconic Image and Modern Memory 18. The Fading Icon in Iraq 19. The Great Exception 20. Fire and Forget Part VII: Democracy 21. Barbarity and Lies 22. Repression and Resistance Note Bibliography Index About the Author