ENGLISH

Cultural Reworkings and Translations in/of Shakespeare's Plays

By Oana-Alis Zaharia

Book information

Publisher
ProUniversitaria
Year
2015
Language
english
Format
PDF
Filesize
2 MB (1735689 bytes)
Edition
2015
Pages
296\296
Time added
2024-03-01 11:18:21

Description

Oana-Alis Zaharia initiates an ample project that both focuses on Shakespeare and decenters his position, investigating meanings circulated across Europe, which were either absorbed by his plays or were subsequently generated in their reception. The book thus charts two movements, involving a dual process of translation and cultural reworking: on the one hand there is the 16th-century movement that starts in Italy with the publication of the important and equally controversial text of Machiavelli’s "Il Principe" and which moves on to responses to, translations and reworkings of this text in Italy, France, and then England to end its appropriation in Shakespeare's plays. Oana-Alis Zaharia discusses important texts such as Francesco Guicciardini’s "The History of Italy" and Michel de Montaigne’s "Essays" along with the less known "Anti-Machiavel" by Innocent Gentillet and makes minute analyses of their translations in Shakespeare's England to trace differences and new meanings generated in the cultural negotiations the translations involve. This undertaking therefore looks at Shakespeare’s plays as a product of translation and re-working. The second movement in the book traces another journey, this time starting with translations of Shakespeare's plays and thereby moving from England across the Channel to France and Germany and having as final destination the translations at the eastern border of 19th-century Europe, namely the Romanian principalities. Shakespeare's plays are now viewed as sources for further successive re-workings, which make up a network of meanings and concepts that spans across Europe. (Madalina Nicolaescu)

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