Early Medieval Text and Image 2: The Codex Amiatinus, the Book of Kells and Anglo-Saxon Art
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When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. Cover Half Title Series Page Title Copyright CONTENTS List of illustrations Preface Introduction The Codex Amiatinus 1 The library of Scripture: views from Vivarium and Wearmouth-Jarrow 2 Celtic art and the gospel 3 The art of authority 4 ‘All that Peter stands for’: the Romanitas of the Codex Amiatinus reconsidered The Book of Kells 5 The Book of Kells, folio 114r: a mystery revealed yet concealed 6 The Book of Kells and two Breton gospel books 7 Exegesis and the Book of Kells: the Lucan genealogy 8 The Book of Kells, folios 29 and 34 9 Two pages from the Book of Kells 10 The Book of Kells, folio 114 11 The body of Christ in the Book of Kells The Anglo-Saxon and later English traditions 12 An Anglo-Saxon portable altar: inscription and iconography 13 St John as a figure of the contemplative life: text and image in the art of the Anglo-Saxon Benedictine reform 14 The rough-hewn cross in Anglo-Saxon art 15 Text and image in the Anglo-Saxon Benedictine reform 16 Signs of the Cross : Medieval religious images and the interpretation of Scripture 17 The trees of Eden in medieval iconography Index of Manuscripts Index
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