ENGLISH

Straight Acting: Popular Gay Drama from Wilde to Rattigan

By Sean O’Connor

Book information

Publisher
Bloomsbury Academic
Year
2016
ISBN
9781474288293, 9781474288286
Language
english
Format
PDF
Filesize
23 MB (24138125 bytes)
Pages
\274
Time added
2023-05-22 07:49:04

Description

This text argues that, haunted by the ghost of Oscar Wilde as gay man, writer and self-invented artist, subsequent gay playwrights, working between Wilde and the dawn of gay liberationist theatre, were unable to rival his celebrated status as “gay playwright”. It focuses on the work of Noel Coward, Terrence Rattigan and Somerset Maugham and considers how their repressed and marginalized situation as closeted homosexual writers affected their life and work. Bitter, cynical parodies of heterosexual marriage in crisis, farcical portrayals of the impossibility of monogamous attachment, and slapstick promotion of sexual experimentation feature prominently in the popular social comedies of these writers. This text assesses the role of “sublimation” and looks at how contemporary heterosexual audiences responded to them. Cover Half-title Title Copyright Contents Foreword Acknowledgements Dedication Introduction Apologia They shoot themselves, don't they? Blue pencils, pink pens Shall we join the ladies? 1 Oscar and After Serious comedy, trivial people The quintessence of Wildism Lady Windermere's Fan: a play about a good woman A Woman of No Importance: a play about a good woman and a bad man An Ideal Husband: a play about a bad man 2 Somerset Maugham, Warts and All Marriages made in hell 3 Public Lives, Private Faces Noël Coward's performance of a lifetime Coward's way 4 Sentimental Education First Episode and French Without Tears 5 Brief Encounters Two films by Noël Coward: Brief Encounter and The Astonished Heart 6 Between the Devil and the Deep Blue Sea Three dramas by Terence Rattigan Table by the Window Table Number Seven Epilogue Goodbye to all that Chronology Notes Index

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