Film, Media, and Representation in Postcolonial South Asia: Beyond Partition
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Cover Half Title Title Page Copyright Page Table of Contents List of figures List of contributors Foreword Preface Acknowledgements Introduction: Moving beyond partitions: Theorising the academic dialogue PART I: Soft power: performance, film, and television 1. Trouble in paradise: The Portrayal of the Kashmir Insurgency in Hindi cinema 2. The vale of desire: Framing Kashmir in Vishal Bhardwaj’s Haider 3. Finding comfort in silence? The absence of Partition narratives from the contemporary group theatre in Kolkata 4. The rise of the celebrity anchor in Pakistan’s private TV network: The one voice that kills other voices PART II: Art and visual culture 5. Discourses on Partition through visual culture 6. Post-71: Photographic ambivalences, archives, and the construction of a national identity of Bangladesh 7. Speaking soon after catastrophe: The Partition art of Satish Gujral and S. L. Parasher as record, testimony, trauma PART III: Cyber space, social media, and digital texts 8. Politicising the body of the ‘other’: India’s gaze at Pakistan 9. Keyboard nations: Cyberhate and Partition anxiety on social media 10. Pakistani literary digitalisation: ‘Mediascaping’ Mohsin Hamid’s ‘The (Former) General in His Labyrinth’ Conclusion: Reflections: Building bridges Index
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