ENGLISH

Mapping Impressionist Painting in Transnational Contexts

By Emily C. Burns (editor) , Alice M. Rudy Price (editor)

Book information

Publisher
Routledge
Year
2021
ISBN
0367490528, 9780367490522
Language
english
Format
PDF
Filesize
39 MB (41141350 bytes)
Series
Routledge Research in Art History
Edition
1
Pages
240\257
Time added
2022-06-21 13:57:25

Description

This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism. Cover Half Title Series Page Title Page Copyright Page Table of Contents List of Figures List of Contributors Acknowledgments 1 Mapping Impressionist Constellations 2 Camille Pissarro, Fritz Melbye, and Early Impressionist Innovation in Caracas 3 Impressionism as Erasure: Whistler and the Chincha Islands War 4 Frontier Impressionisms in the United States and Australia 5 Transplanting Impressionism to Canada 6 Christian Krohg’s Images of Family Intimacy in the Age of Impressionism 7 An Arctic Impressionism?: Anna Boberg and the Lofoten Islands 8 Jeune Turc, Jeune Femme: Impressions of a New “Beauté Orientale” 9 “Only the Colors Should Begin to Compose . . .”: Stanisław Wyspiański’s Window View(s) and the Politics of Polish Color 10 Institutionalizing Impressionism: Kuroda Seiki and Plein-Air Painting in Japan 11 From Famed Masters to a New Generation: Durand-Ruel’s Transatlantic Label “Impressionism” 12 “The Rayonnement of Our Ideals”: French, German, and Nordic Painting in Fin-de-Siècle France 13 Impressionism Projected: Anna Ancher, Hygge, and Danish Modernism 14 “Echoes of Impressionism”: Joaquín Clausell and the Politics of Mexican Art 15 Italian Futurism, Socialism, Urban Change, and Impressionism Selected Bibliography Index

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