ENGLISH

Voicing Girlhood in Popular Music: Performance, Authority, Authenticity

By Jacqueline Warwick (editor) , Allison Adrian (editor)

Book information

Publisher
Routledge
Year
2016
ISBN
1138916498, 9781138916494
Language
english
Format
PDF
Filesize
3 MB (3017127 bytes)
Series
Routledge Studies in Popular Music, No. 13
Edition
1
Pages
310\311
Time added
2021-12-31 02:57:14

Description

This interdisciplinary volume explores the girl’s voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls’ online media culture. While girls’ voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old clichés of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl’s voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl’s voice throughout adolescence; girl’s participatory culture via youtube and rock camps, and representations of the girl’s voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyoncé, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women’s and gender studies, media studies, and education to investigate the importance of girls’ voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom. Cover Half Title Title Page Copyright Page Dedication Contents List of Examples, Figures and Tables Introduction PART I: Voice and Agency 1 I'm with the Band: Redefining Young Feminism 2 Girls at Work: Gendered Identities, Sex Segregation, and Employment Experiences in the Music Industry 3 "I Love Beyoncé, but I Struggle with Beyoncé": Girl Activists Talk Music and Feminism PART II: Voice and Vocality 4 "These Stupid Little Sounds in Her Voice": Valuing and Vilifying the New Girl Voice 5 Girls and Puberty: the Voice, It Is a-Changin'; A Discussion of Pedagogical Methods for the Training of the Voice through Puberty 6 The Curse of the "O mio bambino caro": Jackie Evancho as Prodigy, Diva, and Ideal Girl 7 Authority, Ability, and the Aging Ingénue's Voice PART III: Voice and Authenticity 8 Performing Pop Girlhood on Disney Channel 9 When Loud Means Real: Tween Girls and the Voices of Rock Authenticity 10 You Tube, Twerking and You: Context Collapse and the Handheld Copresence of Black Girls and Miley Cyrus PART IV: Voice and Narrative 11 The Counterpoint of Aging and Coming of Age in the Mother–Daughter Duets of Tori Amos and Natashya Hawley 12 Listen to the Mockingjay: Voice, Identity, and Agency in The Hunger Games Trilogy Afterword: "The Art of Yearning" List of Contributors Index

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