ENGLISH

Brecht in India: The Poetics and Politics of Transcultural Theatre

By Dr. Prateek

Book information

Publisher
Routledge
Year
2021
ISBN
2020025082, 2020025083, 9780367466749, 9781003030317
Language
english
Format
PDF
Filesize
4 MB (4077454 bytes)
Pages
\200
Time added
2021-03-09 02:43:26

Description

"Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India. The book explores how post-independence Indian drama is an instance of a cultural palimpsest, a site celebrating a dialogue between Western and Indian theatrical traditions, rather than a homogenous and isolated canon. Analysing the dissemination of a selection of Brecht's plays in the Hindi belt between the 1960s and the 1990s, this study demonstrates that Brecht's work provided aesthetic and ideological paradigms to modern Hindi playwrights, helping them develop and stage a national identity. The book also traces how the reception of Brecht was mediated in India, how it helped post-independence Indian playwrights formulate a political theatre, and how the dissemination of Brechtian aesthetics in India addressed the anxiety related to the stasis in Brechtian theatre in Europe. Tracking the dialogue between Brechtian aesthetics in India and Europe and a history of deliberate cultural resistance, Brecht in India is an invaluable resource for academics and students of theatre studies and theatre historiography, as well as scholars of post-colonial history and literature"-- Cover Half Title Title Page Copyright Page Dedication Table of Contents Acknowledgements Introduction: Brechtian Theatre: A Transcultural Dialogue Reconfiguring Brechtian Theatre in India Situating Brecht in India Outline of the Chapters 1 Towards a Definition of Brechtian Theatre in India Modern Indian Theatre: An Overview The Brechtian Theatre: An Overview Brechtian Theatre in India: A Definition 2 Performing Brecht on the Indian Stage: Towards a National Theatre Agra Bazaar and Subversive Indian Theatre Sufaid Kundali and the Project of Recovery 3 Politicising Brecht: A Study of Fritz Bennewitz’s Theatre Political Theatre in India and Brecht Gestus and Bennewitz’s Production 4 Regionalising Brecht in India Constructing Indian Aesthetics Towards a People’s Theatre 5 The Bends Versus Ends of Brechtian Theatre: A Study of the Theatre of Safdar Hashmi and Amal Allana The Bend of New Street Theatre The Bend of Post-Brechtian Aesthetics Conclusion: A Re-reading Index

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