From Outlaw to Rebel: Oppositional documentaries in Contemporary Algeria
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This book analyzes the rise of socially and politically engaged Algerian documentaries, created in the period immediately following the end of the Algerian civil war (1991-1999). It uses case studies to highlight the works of four Algerian filmmakers, and devotes a chapter to each: Malek Bensmaïl, Hassen Ferhani, Djamel Kerkar, and Karim Sayad. The book makes visible productions that have been overlooked not only in distribution circuits but also within academia, and examines the political significance and the esthetic power of some of the most influential Algerian documentaries produced since the 2000s. Note on Transcription and Translation Acknowledgments Contents List of Figures Chapter 1: Introduction Algerian Identities Algerian Cinema and National Identity Immersive and Oppositional Documentaries Myths About Algeria (and How to Deconstruct Them) Chapters References Chapter 2: A Brief History of Documentaries in Algerian Cinema Wartime Documentaries Documentaries in the 1960s The Centre Audio-Visuel De Ben Aknoun The Office of Algerian Newsreel (L’Office des actualités algériennes, OAA) Casbah Film Documentary, Censorship, and Dissidence in the 1970s and the 1980s Algerian Documentaries During the Civil War Documentaries After the Civil War References Chapter 3: Malek Bensmaïl: The Legacy of the Revolution and the Question of Democracy The Legacy of the Revolution Social Malaise and the Question of Democracy. Alienations, Imaginaries, and Trauma The Media Between Hope and Paralysis References Chapter 4: Hassen Ferhani: Margins, Beauty, and Truth Disrupting Official Discourse: Afric Hotel (2010) Exploring the Margins References Chapter 5: Djamel Kerkar. Past, Present, and Poetry Women at Work: Archipel (2012) Atlal: A Cinematographic Response to a Historiographic Impasse References Chapter 6: Karim Sayad: Disrupting Myths of Masculinity Humanizing Soccer Fans Failed Manhood Versus Successful Manhood? My English Cousin (2019): Deconstructing a Dream References Chapter 7: Conclusion Filmography Index
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