ENGLISH

Sloppy Craft: Postdisciplinarity and the Crafts

By Elaine Cheasley Paterson; Susan Surette (editors)

Book information

Publisher
Bloomsbury Academic
Year
2015
ISBN
9781472534880, 9781472529008, 9781474248983, 9781474248976
Language
english
Format
PDF
Filesize
34 MB (35730477 bytes)
Pages
\252
Time added
2023-05-22 12:58:29

Description

No Abstract FC Half Title Title Page Copyright Dedication Contents List of Illustrations Notes on Contributors Acknowledgments Foreword: Sloppy craft—origins of a term: Anne Wilson Introduction: Elaine C. Paterson and Susan Surette Part One: Explorations of postdisciplinarity through sloppy craft 1. “Male trouble”: Sewing, amateurism, and gender: Joseph McBrinn 2. Sloppy craft as temporal drag in the work of Josh Faught: Elissa Auther and Elyse Speaks 3. An impression of déjà vu: Craft, the visual arts, and the need to get sloppy: Denis Longchamps Part Two: The implications of sloppy craft 4. Doomed to failure: Sandra Alfoldy 5. The value of “sloppy craft”: Creativity and community: Juliette MacDonald 6. Why is sloppy and postdisciplinary craft significant and what are its historical precedents?: Gloria Hickey 7. From Maria Martinez to Kent Monkman : Performing sloppy craft in Native America: Elizabeth Kalbfleisch Part Three: Sloppy craft in practice and pedagogy: A conversation 8. Sloppy craft and interdisciplinarity: The conversation: Conor Wilson (CW); Jean-Pierre Larocque (JPL); Kelly Thompson (KT); Peter Wilson (PW) 9. Teaching ceramics in an interdisciplinary environment: Eliza Au 10. Weaving practice and pedagogy: Kelly Thompson 11. Sloppy craft: As related to ceramics: Peter Wilson Postscript: Reprint of Glenn Adamson, “When Craft Gets Sloppy ”Crafts 211 (March–April 2008) Index Plates Section

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