Liberated Threads: Black Women, Style, and the Global Politics of Soul

Description

From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the “soul style” movement—represented in clothing, jewelry, hairstyles, and more — Liberated Threads shows that black women’s fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion. Cover......Page 1 Contents......Page 8 ACKNOWLEDGMENTS......Page 12 INTRODUCTION: Black Women and the Making of a Modern Soul Style......Page 18 1 Reimagining Africa: How Black Women Invented the Language of Soul in the 1950s......Page 30 2 Harlem’s “Natural Soul”: Selling Black Beauty to the Diaspora in the Early 1960s......Page 58 3 SNCC’s Soul Sisters: Respectability and the Style Politics of the Civil Rights Movement......Page 84 4 Soul Style on Campus: American College Women and Black Power Fashion......Page 112 5 We Were People of Soul: Gender, Violence, and Black Panther Style in 1970s London......Page 140 6 The Soul Wide World: The “Afro Look” in South Africa from the 1970s to the New Millennium......Page 176 EPILOGUE: For Chelsea: Soul Style in the New Millennium......Page 202 Notes......Page 208 Bibliography......Page 232 A......Page 254 B......Page 256 C......Page 260 D......Page 261 F......Page 262 G......Page 263 J......Page 264 L......Page 265 M......Page 266 N......Page 267 P......Page 268 R......Page 269 S......Page 270 U......Page 272 Z......Page 273