Performance and the Middle English Romance

Description

Although English medieval minstrels performed gestes, a genre closely related to romance, often playing the harp or the fiddle, the question of if, and how, Middle English romance was performed has been hotly debated. Here,the performance tradition is explored by combining textual, historical and musicological scholarship with practical experience from a noted musician. Using previously unrecognised evidence, the author reconstructs a realistic model of minstrel performance, showing how a simple melody can interact with the text, and vice versa. She argues that elements in Middle English romance which may seem simplistic or repetitive may in fact be incomplete, as missing an integral musical dimension; metrical irregularities, for example, may be relics of sophisticated rhythmic variation that make sense only with music. Overall, the study offers both a more accurate comprehension of minstrel performance, and a deeper appreciation of the romances themselves. Linda Marie Zaerr is Professor of Medieval Studies at Boise State University. Frontcover Contents List of Musical Examples 4.1 4.2 4.3 4.4 4.5 4.6 4.7 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 5.10 5.11 5.12 5.13 5.14 5.15 B.1 Acknowledgements Abbreviations Introduction 1 Continental Traditions of Narrative Performance 2 The English Minstrel in History and Romance 3 Musical Instruments and Narrative 4 Metre, Accent, and Rhythm 5 Music and the Middle English Romance 6 Conclusions Appendix A Minstrel References in the Middle English Verse Romances Appendix B Medieval Fiddle Tuning and Implications for Narrative Performance Glossary of Terms Bibliography Index Backcover