ENGLISH

Secular Music and Sacred Theology

By Tom Beaudoin (ed.)

Book information

Publisher
Liturgical Press
Year
2013
ISBN
9780814680254, 0814680259
Language
english
Format
PDF
Filesize
2 MB (1874589 bytes)
Pages
169\194
Topic
Art Music
Time added
2020-04-19 18:06:49
Music; Religious aspects; Sacred music

Description

When the basic conceptions of the world held by whole generations in the West are formed by popular culture, and in particular by the music that serves as its soundtrack, can theology remain unchanged? The authors of the essays in this important volume insist that the answer is no. These gifted theologians help readers make sense of what happens to religious experience in a world heavily influenced by popular media culture, a world in which songs, musicians, and celebrities influence our individual and collective imaginations about how we might live. Readers will consider the theological relationship between music and the creative process, investigate ways that music helps create communities of heightened moral consciousness, and explore the theological significance of songs. Contributors to this fascinating collection include: David Dalt Maeve Heaney Daniel White Hodge Michael J. Iafrate Jeffrey F. Keuss Mary McDonough Gina Messina-Dysert Christian Scharen Myles Werntz Tom Beaudoin is associate professor of theology at Fordham University, specializing inpractical theology. His books include Witness to Dispossession: The Vocation of a Postmodern Theologian; Consuming Faith: Integrating Who We Are with What We Buy; and Virtual Faith: The Irreverent Spiritual Faith of Generation X. He has given nearly 200 papers, lectures, or presentations on religion and culture over the last thirteen years. He has been playing bass in rock bands since 1986 and directs the Rock and Theology Project for Liturgical Press (www.rockandtheology.com). " Cover Frontmatter Contents Acknowledgments Introduction: Theology of Popular Music as a Theological Exercise (Tom Beaudoin) PART ONE: Theology through Artistry Chapter 1: To the Void: Karl Barth, Yves Klein, and Lou Reed’s Metal Machine Music (David Dault) Chapter 2: Musical Space: Living “In Between” the Christian and the Artistic Callings (Maeve Louise Heaney) PART TWO: Theology through Community Chapter 3: More Than Music: Notes on “Staying Punk” in the Church and in Theology (Michael J. Iafrate) Chapter 4: On the Road to the Promised Land: How the NAACP, the Black Church, and Rock Music Helped the Civil Rights Movement (Mary McDonough) Chapter 5: Is God Absent on “Grey Street”?: Theodicy, Domestic Violence, and the Dave Matthews Band (Gina Messina-Dysert) PART THREE: Theology through Song Chapter 6: Secular Music and Sacramental Theology (Christian Scharen) Chapter 7: Erase This from the Blackboard: Pearl Jam, John Howard Yoder, and the Overcoming of Trauma (Myles Werntz) Chapter 8: Baptized in Dirty Water: Locating the Gospel of Tupac Amaru Shakur in the Post-Soul Context (Daniel White Hodge) Chapter 9: Tom Waits, Nick Cave, and Martin Heidegger: On Singing of the God Who Will Not Be Named (Jeffrey F. Keuss) Contributors

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