ENGLISH

Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema

Book information

Publisher
Duke University Press
Year
2016
ISBN
978-0-8223-6155-8, 978-0-8223-6119-0
Language
english
Format
PDF
Filesize
12 MB (13053438 bytes)
Pages
272\273
Time added
2019-10-13 06:51:20

Description

Through an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity. Cover ......Page 1 Contents......Page 6 Acknowledgments ......Page 8 Introduction. Buddhist Sexual Contemporaneity ......Page 14 One. Nang Nak—Ghost Wife: Desire, Embodiment, and Buddhist Melancholia in a Contemporary Thai Ghost Film ......Page 60 Two. The Ghost Seer: Chinese Thai Minority Subjectivity, Female Agency, and the Transnational Uncanny in the Films of Danny and Oxide Pang ......Page 100 Three. Tropical Malady: Same-Sex Desire, Casualness, and the Queering of Impermanence in the Cinema of Apichatpong Weerasethakul ......Page 135 Four. Making Contact: Contingency, Fantasy, and the Performance of Impossible Intimacies in the Video Art of Araya Rasdjarmrearnsook......Page 173 Coda. Under Permanent Exception: Thai Buddhist-Muslim Coexistence, Interreligious Intimacy, and the Filmic Archive ......Page 198 Notes ......Page 212 Bibliography ......Page 244 B......Page 262 E......Page 263 I......Page 264 M......Page 265 S......Page 266 T......Page 267 Y ......Page 268

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