Gateways to the Book: Frontispieces and Title Pages in Early Modern Europe: Herausgeber: Bertram, Gitta; Zittel, Claus; Büttner, Nils
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Contents Illustrations Notes on the Editors Chapter 1 Gateways to the Books: Early Modern Frontispieces – Introduction Part 1 The Culture of the Frontispiece Chapter 2 Considerations on the History and the Analysis of Illustrated Title Pages Chapter 3 Minerva in the Printshop: Publisher’s Advertising in Frontispieces and the Media Presence of Early Modern Printer-Publishers Chapter 4 The Frontispiece Portrait and Its Critics: Visual and Verbal Tactics for Undermining the Social Productivity of Printed Portraits in Early Modern Scholarly Culture Part 2 The Frontispiece between Art and Science Chapter 5 The Poetological Frontispiece in 17th-Century German Poetry Chapter 6 Lady Music, Pythagoras, Apollo & Co.: Frontispieces and Title Woodcuts in Music Theory Prints and Musical Textbooks around 1500 Chapter 7 Visualising the Constitution of Art: Frontispieces in “Kunstliteratur” in the Early Modern Period Chapter 8 When Mars Meets Euclid: The Relationship between War and Mathematical Sciences in Frontispieces of Fortification Treatises Chapter 9 Travels towards Humankind’s Salvation, Travels through Nature Enlightened by Science: Frontispieces on Africa and the Levant, 17th–18th Centuries Part 3 Case Studies Chapter 10 A Moralistic Journey: The Tabula Cebes as an Architectural and Spatial Allegory in Sixteenth-Century Basel Chapter 11 Rubens’s Legacy in Book Design Chapter 12 The Title Page of Jacob van der Gracht’s Anatomie and 17th-Century Dutch Artists’ Education in Anatomy Chapter 13 The Role of Multiple Frontispieces in the Cultus Sancti Francisci Xaverii Chapter 14 Juan Ricci de Guevara’s Introduction of Wise Painting Chapter 15 The Architectural Folios of Jeremias Wolff Chapter 16 Monumental Elements in Early 18th-Century Book Illustration: Jacob Tonson the Younger, George Vertue and the Illustrated Editions of the Works of Edmund Waller Index Nominum
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