Curatopia : Museums and the Future of Curatorship
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Front matter Contents List of figures Notes on contributors Acknowledgements Note on the text Introduction: conceptualising Curatopia Part I: Europe The museum as method (revisited) What not to collect? Post-connoisseurial dystopia and the profusion of things Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate Walking the fine line: From Samoa with Love? at the Museum Fünf Kontinente, Munich Curating across the colonial divides Thinking and working through difference: remaking the ethnographic museum in the global contemporary Part II: North America The times of the curator Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia Swings and roundabouts: pluralism and the politics of change in Canada’s national museums Community engagement, Indigenous heritage and the complex figure of the curator: foe, facilitator, friend or forsaken? Joining the club: a Tongan ‘akau in New England c̓əsnaʔəm, the City before the City: exhibiting pre-Indigenous belonging in Vancouver Part III: Pacific The figure of the kaitiaki: learning from Māori curatorship past and present Curating the uncommons: taking care of difference in museums Collecting, curating and exhibiting cross-cultural material histories in a post-settler society Curating relations between ‘us’ and ‘them’: the changing role of migration museums in Australia Agency and authority: the politics of co-collecting He alo ā he alo / kanohi ki te kanohi / face to face: curatorial bodies, encounters and relations Afterwords Curating time Virtual museums and new directions? Index
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