Communication in Eighteenth-Century Music
Book information
Description
Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study.
Similar books
Communication in Eighteenth-Century Music
2008 · PDF
The African Imagination in Music
2016 · PDF
African Rhythm: A Northern Ewe Perspective
1995 · PDF
Representing African Music : Postcolonial Notes, Queries, Positions
2003 · PDF
The African Imagination In Music
2016 · PDF
Hypermetric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791
2021 · PDF
To Cut the Gordian Knot: The Timbre System of Krzysztof Penderecki
2001 · PDF
Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory)
2008 · PDF