ENGLISH

Romance Rewritten: The Evolution of Middle English Romance. A Tribute to Helen Cooper

By Megan G. Leitch (editor)

Book information

Publisher
D.S.Brewer
Year
2018
ISBN
1843845091, 9781843845096
Language
english
Format
PDF
Filesize
10 MB (10483437 bytes)
Pages
310\311
Time added
2021-03-01 16:53:57

Description

The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "rewritten" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance. Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University. Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager Frontcover Contents Notes on Contributors Acknowledgements Introduction. Middle English Romance: The Motifs and the Critics I. Romance Disruptions 1. Medieval Romance Mischief 2. Rewriting Chivalric Encounters: Cultural Anxieties and Social Critique in the Fourteenth Century 3. Malory’s Comedy II. Romance and Narrative Strategies 4. Beginning with the Ending: Narrative Techniques and their Significance in Chaucer’s Knight’s Tale 5. The Riddle of ‘Apollonius’: ‘A Bok for King Richardes Sake’ 6. Malory and the Post-Vulgate Cycle 7. Towards a Gestural Lexicon of Medieval English Romance III. Romance and Spiritual Priorities 8. Giving Freely in Sir Cleges: The Economy of Salvation and the Gift of Romance 9. From Magic to Miracle: Reframing Chevalere Assigne 10. Lifting the Veil: Voices, Visions, and Destiny in Malory’s Morte Darthur IV. Late Romance 11. The Intelligence of The Court of Love 12. The Squire of Low Degree and the Penumbra of Romance Narrative in the Early Sixteenth Century 13. Contested Chivalry: Youth at War in Walter Scott and Charlotte M. Yonge Works Cited Index

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