Nineteenth Century Popular Fiction, Medicine and Anatomy: The Victorian Penny Blood and the 1832 Anatomy Act

Description

This book investigates the relationship between the fascinating and misunderstood penny blood, early Victorian popular fiction for the working class, and Victorian anatomy. In 1832, the controversial Anatomy Act sanctioned the use of the body of the pauper for teaching dissection to medical students, deeply affecting the Victorian poor. The ensuing decade, such famous penny bloods as Manuscripts from the Diary of a Physician, Varney the Vampyre, Sweeney Todd, and The Mysteries of London addressed issues of medical ethics, social power, and bodily agency. Challenging traditional views of penny bloods as a lowlier, un-readable genre, this book rereads these four narratives in the light of the 1832 Anatomy Act, putting them in dialogue with different popular artistic forms and literary genres, as well as with the spaces of death and dissection in Victorian London, exploring their role as channels for circulating discourses about anatomy and ethics among the Victorian poor. Front Matter ....Pages i-xxii The Subject Examined: Penny Bloods, the Anatomy Act, and a Common Ground for Analysis (Anna Gasperini)....Pages 1-29 Manuscripts from the Diary of a Physician: Power, Ethics, and the Super-Doctor (Anna Gasperini)....Pages 31-80 Coping with the Displaced Corpse: Medicine, Truth, and Masculinity in Varney the Vampyre (Anna Gasperini)....Pages 81-127 Underground Truths: Sweeney Todd, Cannibalism, and Discourse Control (Anna Gasperini)....Pages 129-177 The Unknown Labyrinth: Radicalism, the Body, and the Anatomy Act in The Mysteries of London (Anna Gasperini)....Pages 179-229 Dissection Report: Patterns of Medicine and Ethics (Anna Gasperini)....Pages 231-243 Back Matter ....Pages 245-253