ENGLISH

ReFocus: The Films of Elaine May

By Alexandra Heller-Nicholas and Dean Brandum

Book information

Publisher
Edinburgh University Press
Year
2019
ISBN
9781474440189, 9781474440202, 9781474440219
Language
english
Format
PDF
Filesize
6 MB (6584440 bytes)
Series
ReFocus: The American Directors Series
Pages
\260
Time added
2021-07-02 11:57:39

Description

ReFocus: The Films of Elaine May Copyright Contents Figures and Tables Notes on Contributors Acknowledgments Introduction: Who’s Kidding?-Approaching Elaine May part 1 Beginnings 1 Teenagers on Stage-The Comedy of Elaine May and Mike Nichols Part 2 Critically Situating Elaine May 2 Hollywood Can’t Wait: Elaine May and the Delusions of 1970s American Cinema 3 Dangerous Business-Elaine May as Existential Improviser Part 3 Elaine May’s Films as Director 4 Kneeling on Glass-Elaine May’s A New Leaf (1971) as Screwball Black Comedy 5 “Don’t Put A Milky Way in Someone’s Mouth When They Don’t Want It”: A Contemporary Feminist Rereading of Elaine May’s The Heartbreak Kid (1972) 6 Mikey and Nicky (1976)-Elaine May and the Cassavetes Connection 7 Cartographies of Catastrophe-Elaine May’s Ishtar (1987) Part 4 Collaborations/Revelations 8 In/Significant Gestures-Elaine May, Screen Performance, and Embodied Collaboration 9 Otto É. May(zo)-Elaine May’s Screenplay of Otto Preminger’s Such Good Friends (1971) as Affirmation that Hell is Other People 10 Spectral Elaine May-The Later Mike Nichols Collaborations and the Myth of the Recluse Conclusion 11 interview with allie hagan When in Doubt, Seduce: An Interview with Screenwriter Allie Hagan Bibliography Index

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