Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama
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Description
A revisionist view of Renaissance architectural design as a dialectical process engaging word and image in the creation of Raphael's masterwork. Preface and acknowledgements Note on translations and abbreviations Introduction. The nature of invention, in word and image 1. Reviving the corpse 2. Writing architecture 3. Sperulo's vision 4. Encomia of the unbuilt 5. Metastructures of word and image 6. Dynamic design Conclusion. Building with mortar and verse Appendices Bibliography Index.
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