Eyes on Labor: News Photography and America's Working Class
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In the twentieth century's first decades, U.S. workers waged an epic struggle to achieve security through unions; simultaneously Americans came to interpret current events through newspaper photographs. Eyes on Labor brings these two revolutions together, revealing how news photography brought workers into the nation's mainstream. Carol Quirke focuses on images ignored by scholars but seen by millions of Americans in the news of the day. Part visual analysis, part labor and cultural history, Quirke analyzes over one hundred photographs: stereographs of the Uprising of 1877, tabloid photos of the 1919 strike wave, photo-essays in the nationally popular LIFE Magazine, and even photos taken by a union camera club. Quirke anchors her interpretations in a lively historical narrative that takes readers from Washington D.C. hearings, to small towns in Indiana and Pennsylvania, to local union halls and to New York City boardrooms. Illuminating why unions, employers, and news publishers vied to represent workers with the camera's eye, Eyes on Labor explores how Americans understood the complex and contradictory portrait of labor they produced. Cover Contents Acknowledgments Introduction: “The Central Instrument of Our Time” 1. “The Quick Nervousness of Pictures Is a New Language”: Organized Labor Before Photojournalism 2. Consuming Labor: LIFE Magazine and Mass Production Unionism, 1936–1942 3. Bitter Kisses: Pictures of the Hershey Chocolate Sit-Down Strike, April 1937 4. “Strike Photos Are Star Witnesses”: Photographs and Newsreels of Chicago’s Memorial Day Massacre, May 1937 5. Steel Labor and the United Steelworkers of America’s Culture of Constraint, 1936–1950 6. “This Picture Shows What We Are Fighting For”: Local 65 Distributive Workers’ Rank-and-File Photography, 1933–1953 Conclusion Notes Bibliography Index A B C D E F G H I K L M N O P R S T U V W
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