Optical Play: Glass, Vision, and Spectacle in Russian Culture

Description

Longlist finalist, 2015 Historia Nova Prize for Best Book on Russian Intellectual and Cultural History  Julia Bekman Chadaga’s ambitious study posits that glass—in its uses as a material and as captured in culture—is a key to understanding the evolution of Russian identity from the eighteenth century onward. From the contemporary perspective, it is easy to overlook how glass has profoundly transformed vision. Chadaga shows the far-reaching effects of this phenomenon. Her book examines the similarities between glass and language, the ideological uses of glass, and the material’s associations with modernity, while illuminating the work of Lomonosov, Dostoevsky, Zamyatin, and Eisenstein, among others. In particular, Chadaga explores the prominent role of glass in the discourse around Russia’s contentious relationship with the West—by turns admiring and antagonistic—as the nation crafted a vision for its own future. Chadaga returns throughout to the spectacular aspect of glass and shows how both the tendentious capacity and the playfulness of this material have shaped Russian culture. Contents List of Illustrations Acknowledgments Note on Transliteration Introduction Chapter One. Looking through Glass: The Transformation of Vision Chapter Two. The Language of Glass: Making Rhetorical Objects Chapter Three. The Display of Power: Spectacular Glass in Imperial Russia Chapter Four. Glass Architecture: Glimpses of Utopia Chapter Five. The Glass House as Dream and Nightmare Chapter Six. Light in Captivity: The Glass Object as Ideological Spectacle Conclusion Notes Works Cited Index