Film architecture and the transnational imagination: set design in 1930s European cinema
Book information
Description
Contents[-] - 6[-]Acknowledgements[-] - 10[-]Ch. 1: Introduction: Understanding and Interpreting Set Design[-] in Cinema - 12[-]Ch. 2: European Set Design in the 1920s and 1930s: Cultural Contexts and Professional Practices[-] - 32[-] Germany[-] - 33[-] France[-] - 57[-] Great Britain[-] - 81[-] Conclusion[-] - 105[-]Ch.3: Imagining Space in Late Weimar Cinema[-] - 110[-]Ch. 4: French Cinema in the 1930s: Space, Place and National Identity[-] - 170[-] Conclusion[-] - 224[-]Ch. 5: Set Design, Style, and Genre in 1930s British Cinema[-] - 226[-] Conclusion[-] - 267[-]Notes[-] - 272[-]Bibliography[-] - 298[-]Index of Film Titles[-] - 306[-]Index of Names and Subjects[-] - 312
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