ENGLISH

Cinema's Conversion To Sound: Technology And Film Style In France And The U.S.

By Charles O'Brien

Book information

Year
2005
ISBN
0253217202, 9780253217202, 0253344638, 9780253344632, 9780253111128
LCC
PN1995.7 .O27 2005
Open Library ID
OL3292218M
Language
english
Format
PDF
Filesize
5 MB (5733250 bytes)
Pages
216\216
Topic
Art Cinema
Scanned
yes
Time added
2011-06-04 13:46:07

Description

The conversion to sound cinema is routinely portrayed as a homogenizing process that significantly reduced the cinema's diversity of film styles and practices. Cinema's Conversion to Sound offers an alternative assessment of synchronous sound's impact on world cinema through a shift in critical focus: in contrast to film studies' traditional exclusive concern with the film image, the book investigates national differences in sound-image practice in a revised account of the global changeover from silent to sound cinema. Extending beyond recent Hollywood cinema, Charles O'Brien undertakes a geo-historical inquiry into sound technology's diffusion across national borders. Through an analysis that juxtaposes French and American filmmaking, he reveals the aesthetic consequences of fundamental national differences in how sound technologies were understood. Whereas the emphasis in 1930s Hollywood was on sound's intelligibility within a film's story-world, the stress in French filmmaking was on sound's fidelity as reproduction of the event staged for recording.

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