ENGLISH

Paranoia and Modernity: Cervantes to Rousseau

Book information

Publisher
Cornell University Press
Year
2006
ISBN
0801444101, 9780801444104
Language
english
Format
PDF
Filesize
6 MB (6625522 bytes)
Pages
\343
Time added
2020-08-04 15:21:22

Description

"Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."―from Paranoia and Modernity Paranoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms―grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy―are nearly obligatory psychological components of the modern hero. How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency―the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities. Acknowledgments ix Introduction 1 Part One: The Paranoid Temptation 1. Agent and Other 13 2. The Responsible Knight 23 3. The Knight Errant 33 Part Two: The Alienation of Agency 4. Luther and the Devil's World 57 5. The Terrors of Reform 81 6. The Science of Suspicion 91 7. The Demons of Descartes and Hobbes 112 Part Three: Unmaskings 8. Pascal and Power 145 9. The Art of Polite Disguise 158 10. Swift and the Satiric Absolute 174 11. A Flight from Humanity 195 Part Four: Regimes of Nature 12. Invisible Agents 219 13. Rousseau's Great Plot 251 14. An Attempted Escape 279 Epilogue: Paranoia and Postmodernism 309 Index 329

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