ENGLISH

Salaam Bollywood: Representations and Interpretations

By Vikrant Kishore , Amit Sarwal and Parichay Patra

Book information

Publisher
Routledge
Year
2016
ISBN
9781138649620, 9781315625720
Language
english
Format
PDF
Filesize
2 MB (2449380 bytes)
Pages
\308
Time added
2021-04-04 22:59:28

Description

Cover Title Copyright Contents Contributors Foreword Salaam Bollywood: introduction Part I Histories: mainstream and alternative 1 Myths, markets and panics: Bombay cinema and the historical significance of the popularity of two Gujarati stage plays at the turn of the 20th century 2 The left encounter: progressive voices of nationalism and Indian cinema to the 1950s 3 Genre mixing as creative fabrication 4 What do the villains have? Indian cinema’s villains in the 1970s 5 Inward bound: self-referentiality in Bombay cinema Part II Bollywood dance: rereading history 6 Dancing to the songs: history of dance in popular Hindi films 7 Designing the song and dance sequences: Exploring Bollywood’s cinematic creativity 8 The item girl: tradition and transgression in Bollywood dancing Part III Changes in the cityscape, changes in cinema 9 Regionalist disjuncture in Bollywood: Dabangg and the consumerist cinema 10 Mourning and blood-ties: Macbeth in Mumbai 11 Black Friday: a screen history of the 1993 Bombay bomb blasts 12 The re-mapped dialectics of contemporary Indian cinema: Kahaani and That Girl in Yellow Boots Part IV Other regions, other nations 13 Marking out the ‘South’ in/of Hindi cinema: an approach via remakes 14 Between solidarity and the stereotype: Chandni Chowk to China 15 The Khan Mania: universal appeal of superstar Shahrukh Khan in a post-globalised Bollywood era 16 Old wine in a new bottle: Bollywood films shot in Australia after 9/11 17 The way cinema was banished: the intervention of cinema studies in India Index

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