Creating Through Mind and Emotions

Description

The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts. Cover Half Title Series Page Title Page Copyright Page Table of contents Committees Editorial foreword Part I Creating through mind and emotions Introduction: Drawing with mind and emotions Innovation and tradition in human spaceflight architecture Waking up the trees: Reason, emotion and recovery in The Lord of the Rings The Justification of slavery in modern natural law1 Part II Architecture/urbanism/design Manfredo Tafuri and autonomous architecture: Adisciplinary discussion of the 1970s Rehearsing aperformative theory for architecture The essence of architectural creation: Aesthetic experience as impetus Tectonics: Reconciling reason and emotion in the architectural project Architecture as an extension of body and mind: Towards aconsciousness of the body’s experience in space The primitive hut: Empirical and emotional discovery for atheorization of architecture The phenomenon of Graz School: Architecture between emotions and rationalism Investigating the potential for integrating pure shadow lines into architectural design process Architecture: Reflections on the experience of the project Pedagogy in the architecture teaching process: Two unique examples inaMaster’s final exam–creating through mind and emotions Rehabilitation or multiple rehabilitation? Rehabilitation as asubjective process by different ways of seeing– and ‘wanting’– to transform and signify the world Ambiguousness is an important element in architectural emotional space The aesthetic construction of multiple humanistic thoughts in historical buildings Revisiting the City of Edo and the National Museum of Western Art in Tokyo: Unlimited organisms, between reason and emotion How creations can control minds: The railway stations of the dictatorial regime in Portugal The sublime in architecture: Wright’s transcendentalism Mind, creation, and emotion: Reinventions in Tomás Taveira’s architecture Complexity and contradiction in Eduardo Souto de Moura’s architecture: Some remarks on his creative process The enigmatic and poetic dynamic of penumbra: Creating and experimenting among reason, emotion, and imagination From sculpture to Casa da Fuseta, Algarve São Paulo Tower: Recreating aBrazilian unbuilt visionary housing project with the help of mind, technology, and emotions Architecture, the starting point: Aschool in Ocuana Temporary housing: Shelters for refugee camps The appropriation of the indigenous architecture in northern Brazilian Amazon for the architectural design process with bioclimatic strategies Play and space: Childhood nostalgia as acreative process Spatial requirements and standards in the post-COVID-19 house Genius Loci Urban-architectural perception as creation between mind and emotion The path of senses, between emotions and creation Drawing on time and form The foundation myth of St.Petersburg in the city guidebooks: Creating heritage through mind and emotions Rethinking the body, cultivating the mind, sharing the emotions. The Libertà neighborhood in Bari: An experiment in urban regeneration and social resilience Designing minds with designed emotions: Spiral thinking design Emotions sparkling innovation in lighting products design Experience, body, and memory in creativity Fostering the common: Transformative socio-cultural innovation through co-creativity among citizens Migrant living archive: Practice to improve cultural integration in participatory art and design projects Creativity and sustainability Pause to think: Creating afashion collection through music and emotions Analysis of robotics field mats as design objects Part III Arts Identity in death: Communication and reflection through funerary art of the New Kingdom and revolutionary Egypt Did the Ancient Greeks perceive the color ‘blue’? An interdisciplinary approach “A thing of beauty is ajoy forever”: Atransdisciplinary reading on creativity Mental and emotional processes in two post-Bomarzian parks: Buzzi’s La Scarzuola and Saint Phalle’s Tarots’ Garden The spectacle of protest: The case of Budapest University of Theatre and Film Arts (SzFE) The mindin the creative process: The mastering of technical processes, experimenting, breakaway, and the exploration of error and chance as creative strategies in the creation of awork of art The heartbeat, neuroaesthetics, artistic research, and creation through mind and emotions Iannis Xenakis’ drawing expands the morphological intuition-thought inside musical composition Part IV The Humanities The project of aseed: 7 small steps to awaken sacred creativity Fredrik Gabriel Hedberg: The reluctant author of an autobiographical conversion narrative The sacred space of gods and saints: Some considerations about the sea and exile in Irish mythology and tradition Creating the Otherness: Mind and emotions in the European making of 16th-century Japanese people Mind and emotion in cinematic recreations of three Shakespeare plays Emotion and rationality in the creation of the ideal courtier Fernando Pessoa’s creative process as a“Theater of the Mind” Herberto Helder (1930-2015), F.Pessoa (1988-1935), Hugo von Hofmannsthal (1874-1929), Blauer Reiter’s and Rothko’s modern poiesis: On the creation of literary emotionality Dystopian visions, populism and the return to empathy in António Ladeira’s Montanha Distante (2020) and Nuno Gomes Garcia’s Zalatune (2020) The impact of mentality and emotions in the creation of the magazine Claridade Part V Social sciences Lyrical Poetry (sung) congregating the community as agenerator of collective emotions Mind the food, brief essay on emotions and creativeness during COVID 19 times Vaccine hesitancy in the Ostrobothnian Bible Belt? Vernacular authority at work Auniversity church going online: Traditionality and experimentality in YouTube worship services at the university church in Leipzig Author index Series Page