ENGLISH

Made in the Low Countries: Studies in Popular Music

By Lutgard Mutsaers (editor) , Gert Keunen (editor)

Book information

Publisher
Routledge
Year
2017
ISBN
113892010X, 9781138920101
Language
english
Format
PDF
Filesize
2 MB (1843904 bytes)
Series
Routledge Global Popular Music Series
Edition
1
Pages
258\259
Time added
2021-10-02 07:43:10

Description

Made in the Low Countries: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century popular music of the Dutch-speaking region comprising the Netherlands and Flanders as a region of federal Belgium. The volume consists of essays by leading scholars and publicists in this field, and covers the major issues, genres, and contexts of popular music. Each essay provides adequate context so readers understand why the issue or genre under discussion is of lasting significance to this transnational region. The book first presents a general description of the history and background of popular music made in the region, followed by essays that are organized into four thematic sections: I: Framing and Facilitating; II: Creation and Curation; III: Close Encounters; IV: Changes and Choices. Cover Title Copyright Contents List of Figures Series Foreword Preface Acknowledgments Introduction: Together Apart: Popular Music of the Low Countries: With the Flow and Against the Odds Part I: Framing and Facilitating 1 Futile Dutchness or Idiosyncratic Transnationalism: Homemade Pop, National Identity, and Global Culture 2 The Zone in Between: The Principled Realm of Alternative Mainstream in Flanders 3 Upstart Among the Arts: The Rise of Rock into the Dutch Subsidy System 4 Mixing Multiple Tracks: Migration, Diaspora, and Transcultural Music in Flanders Part II: Creation and Curation 5 Broken Circle Rebound: New Regionalism and Vernacular Indie-Folk 6 From Thrash to Cash: Forging and Legitimizing Dutch Metal 7 Crossover Collectivities and Electronic Samples: Jazz’s Popularization in the Digital Era 8 This Must Be Belgium: Roots, Progress, and Legacy of New Beat Part III: Close Encounters 9 “The Windmill’s Turning”: Lifecycle of a Signature Song for Holland 10 Knocking on Heaven’s Door: Golden Earring Before and After the “Dutch Invasion” 11 Rock ’n’ Roll in the Land of Sex and Drugs: Life and Legacy of Herman Brood 12 “Sanomi” v. “Shalalie”: Showing Off Difference at the Eurovision Song Contest Part IV: Changes and Choices 13 “We Too Are Specimens of Homo Sapiens”: Holebi Culture Between Agitprop and Pop 14 Pirates of the North Sea: Introduction and Impact of Commercial Pop Radio 15 State of Independents: Small-Scale Production in a Globally Connected Place 16 A Critical Choice: The Language of Lyrics as an Issue of Genre and Era Coda: A Tiny Dot—Some Foreign Awareness of Popular Music Made in the Low Countries Afterword: “I Made a Difference”—A Conversation with Raymond van het Groenewoud Selected Bibliography: Flanders Selected Bibliography: The Netherlands Notes on Contributors Index

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