Guillermo del Toro: Film as Alchemic Art
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A critical exploration of one of the most exciting, original and influential figures to emerge in contemporary film, Guillermo del Toro: Film as Alchemic Art is a major contribution to the analysis of Guillermo del Toro’s cinematic output. It offers an in-depth discussion of del Toro’s oeuvre and investigates key ideas, recurrent motifs and subtle links between his movies. The book explores the sources that del Toro draws upon and transforms in the creation of his rich and complex body of work. These include the literary, artistic and cinematic influences on films such as Pan’s Labyrinth, The Devil’s Backbone, Cronos and Mimic, and the director's engagement with comic book culture in his two Hellboy films, Blade II and Pacific Rim. As well as offering extensive close textual analysis, the authors also consider del Toro’s considerable impact on wider popular culture, including a discussion of his role as producer, ambassador for ‘geek’ culture and figurehead in new international cinema. Cover Half-title Title Copyright Dedication Contents Acknowledgements Introduction The structure of this book Part One: Contexts and Audiences 1 Influences and Intertexts Director as film historian Formations The big two In The Spirit of the Beehive Film-maker as bibliophile Film-maker as connoisseur: The visual arts 2 Accented Fantasy and the Gothic Perverse Magical transnationalism Queer Gothic 3 Fan as Film-maker Part Two: Texts and Thematics 4 Twisted Genres: Cronos and Mimic Alchemical beginnings Do be afraid of the dark 5 Trauma – Childhood – History: The Devil’s Backbone and Pan’s Labyrinth The Lost Boys: The Devil’s Backbone Ofelia’s adventures underground(s) 6 Gothic Superheroes: Blade II, Hellboy and Hellboy II: The Golden Army Action vampires Hellboys and pyrogirls 7 From Development Hell to the Pacific Depths: The Strain and Pacific Rim In production … From tombs to tomes The popcorn perverse Filmography Bibliography Index
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