ENGLISH

Transgression and the Aesthetics of Evil

By Taran Kang

Book information

Publisher
University of Toronto Press
Year
2021
ISBN
1487529074, 9781487529079
Language
english
Format
PDF
Filesize
1 MB (1388737 bytes)
Pages
224\219
Time added
2022-01-18 14:00:45

Description

How do we perceive evil? How do we represent evil? In Transgression and the Aesthetics of Evil, Taran Kang examines the entanglements of aesthetics and morality. Investigating conceptions and images of evil, Kang identifies a fateful moment of transformation in the eighteenth century that continues to reverberate to the present day. Transgression, once allocated the central place in the constitution of evil, undergoes a startling revaluation in the Enlightenment and its aftermath, one that needs to be understood in relation to emergent ideas in the arts. Taran Kang engages with the writings of Edmund Burke, the Marquis de Sade, Friedrich Nietzsche, and Hannah Arendt, among others, as he questions recent calls to "de-aestheticize" evil and insists on a historically informed appreciation of evil’s aesthetic dimensions. Chapters consider the figure of the "evil genius," the paradoxical appeal of the grotesque and the disgusting, and the moral status of spectators who behold scenes of suffering and acts of transgression. In grappling with these issues, Transgression and the Aesthetics of Evil questions the feasibility and desirability of insulating the moral from the aesthetic. Cover Half Title Page Title Page Copyright Page Dedication Contents Acknowledgments Introduction 1 Genius and the Spirit of Transgression Rule-Breakers The Poet and the Devil 2 Symbols of the Morally Bad Grotesque Subversions The Dialectic of Disgust 3 Evil and the Sublime Between Elevation and Terror Representing Radical Evil 4 Wicked Spectators The Mirth of Tragedy Crime and the Connoisseur Epilogue Notes Bibliography Index

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