Evolution and Victorian Culture
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Description
In this collection of essays from leading scholars, the dynamic interplay between evolution and Victorian culture is explored for the first time, mapping new relationships between the arts and sciences. Rather than focusing simply on evolution and literature or art, this volume brings together essays exploring the impact of evolutionary ideas on a wide range of cultural activities including painting, sculpture, dance, music, fiction, poetry, cinema, architecture, theatre, photography, museums, exhibitions and popular culture. Broad-ranging, rather than narrowly specialized, each chapter provides a brief introduction to key scholarship, a central section exploring original insights drawn from primary source material, and a conclusion offering overarching principles and a projection towards further areas of research. Each chapter covers the work of significant individuals and groups applying evolutionary theory to their particular art, both as theorists and practitioners. This comprehensive examination of topics sheds light on larger and previously unknown Victorian cultural patterns. Cover Half-title Series information Title page Copyright information Table of contents List of illustrations List of contributors Acknowledgements Introduction Notes Chapter 1 Evolution and Victorian fiction Evolution and fiction: the critical tradition Evolution and the language of fiction The telling detail and other possible futures Notes Chapter 2 The challenge of evolution in Victorian poetry Introduction Evolution in Victorian poetry before the Origin Evolution, faith and nature in Victorian poetry after Darwin Evolution, politics and society: Social Darwinism in Victorian poetry Conclusion and further research Notes Chapter 3 Between specimen and imagination Visualizing evolution Of scientific bodies, human and animal Of culture, trees and feet Popular fantasies, missing links and tenuous ancestors Closing thoughts Notes Chapter 4 Early cinema and evolution Introduction: cinema, a time machine Monkey portraits and primitive humans Between selection and variation: ‘the struggle for existence’ versus ‘protean transformation’ in early popular-science ... Telescoping time Evolution and the evolution of the popular-science film Conclusion Notes Chapter 5 Evolution and Victorian art Geology and geography Botany in context Human evolution Conclusion Notes Chapter 6 ‘I’m evolving!’ Introduction Overview of key scholarship Nature on display Instinct, essentialism and gender ‘I’m evolving’ Ibsen and Shaw Conclusion Notes Chapter 7 Dance and evolutionary thought in late Victorian discourse Evolutionists on dance: Spencer and Darwin Evolutionary anthropologists and dance: Tylor and Frazer Edward Scott and Spencerian echoes The quest for dance’s origins Evolutionary thought and the primitive dance Towards further investigation Notes Chapter 8 The ‘non-Darwinian’ revolution and the Great Chain of Musical Being Introduction Current literature Recapitulation The Great Chain of Musical Being A-Darwinism Pick’n’mix Darwinism Conclusion Notes Chapter 9 Development and display Development and evolution in architectural theory Geology and architecture Development and the High Victorian Gothic style Negotiating space for evolution: museum displays in Victorian Britain Notes Chapter 10 Dramas of development Histories ‘The mystery solved; the missing link found!’ Fairground evolution Cathedrals of human pasts Futures Notes Chapter 11 The popularization of evolution and Victorian culture The problem of respectability and the Vestiges Darwin and the ‘Darwinians’ Darwin’s lives Children’s books and best-sellers Domesticating evolutionary theory Notes Index
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