A Companion to Rainer Werner Fassbinder

Description

Content: Chapter 1 The Other Planet Fassbinder (pages 15–44): Juliane LorenzChapter 2 R. W. Fassbinder (pages 45–52): Thomas ElsaesserChapter 3 Rainer “Maria” Fassbinder (pages 53–66): Leo A. LensingChapter 4 Five Fassbinder Scenes (pages 67–76): Wayne KoestenbaumChapter 5 Imitation, Seriality, Cinema (pages 77–100): Laura McMahonChapter 6 Exposed Bodies; Evacuated Identities (pages 101–117): Claire KaiserChapter 7 Redressing the Inaccessible through the Re?Inscribed Body (pages 118–141): Victor FanChapter 8 Nudity and the Question (pages 142–158): Eugenie BrinkemaChapter 9 Color, Melodrama, and the Problem of Interiority (pages 159–180): Brian PriceChapter 10 Fassbinder's Work (pages 181–203): John David RhodesChapter 11 A Nagging Physical Discomfort (pages 204–225): Joe McElhaneyChapter 12 Beyond the Woman's Film (pages 226–244): Nadine SchwakopfChapter 13 Through the Looking Glass (pages 245–266): Brad PragerChapter 14 Violently Oscillating (pages 267–289): Elena del RioChapter 15 In Despair (pages 290–312): Brigitte PeuckerChapter 16 Declined Invitations (pages 313–332): Caryl FlinnChapter 17 Fassbinder's France: Genet's Mise?en?Scene in Fassbinder's Films (pages 333–351): Olga SolovievaChapter 18 Un?Framing the Image (pages 352–371): Brigitte PeuckerChapter 19 A Novel Film (pages 372–397): Elke SiegelChapter 20 Swearing and Forswearing Fidelity in Fassbinder's Berlin Alexanderplatz (pages 398–419): Paul CoatesChapter 21 “There are many ways to Fight a Battle” (pages 421–440): Eric RentschlerChapter 22 A Generation Later and Still Unrepresentable? (pages 441–460): Frances GuerinChapter 23 Two Kinds of Excess (pages 461–484): Laura J. HeinsChapter 24 Jolie Laide (pages 485–501): Rosalind GaltChapter 25 Impossible, Impolitic (pages 502–515): Elena GorfinkelChapter 26 “So Much Tenderness” (pages 516–541): Tobias Nagl and Janelle BlankenshipChapter 27 Rainer, Rosa, and Werner (pages 542–563): Randall HalleChapter 28 Fassbinder's Fox and his Friends and Gay Politics in the 1970s (pages 564–578): Ronald GreggChapter 29 Querelle's Finality (pages 579–603): Roy Grundmann