ENGLISH

Special Effects and German Silent Film: Techno-Romantic Cinema

By Katharina Loew

Book information

Publisher
Amsterdam University Press
Year
2021
ISBN
9048551714, 9789048551712
Language
english
Format
PDF
Filesize
6 MB (5893840 bytes)
Pages
320\322
Time added
2021-06-11 22:43:15

Description

In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema's emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a "techno-romantic" paradigm that seeks to harness technology-the epitome of modern materialism-as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art. Table of Contents Acknowledgements Introduction: Special Effects and the Techno-Romantic Paradigm 1. Imagining Technological Art: Early German Film Theory 2. Modern Magicians: Guido Seeber and Eugen Schüfftan 3. The Uncanny Mirror: Der Student von Prag (1913) 4. Visualizing the Occult: Nosferatu (1922) 5. The Technological Sublime: Metropolis (1927) 6. “German Technique” and Hollywood Conclusion: Techno-Romantic Cinema from the Silent to the Digital Era Bibliography Index

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