The Oxford Handbook of Chinese Cinemas

Description

What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity ― all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages. [UNTITLED] Edited by Carlos Rojas [UNTITLED] (p. xi) Contributors (p. xi) Contributors Edited by Carlos Rojas (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors (p. xi) Contributors Introduction: Chinese Cinemas and the Art of Extrapolation Abstract and Keywords Carlos Rojas Edited by Carlos Rojas Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation History Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Form Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Structure Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Introduction: Chinese Cinemas and the Art of Extrapolation Works Cited Notes: Introduction: Chinese Cinemas and the Art of Extrapolation D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Abstract and Keywords Jianhua Chen Edited by Carlos Rojas D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Griffith and Accepting Film as Art D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai The Griffith Phenomenon and Commercial War D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Lillian Gish and the Gender Problem D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Conclusion D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai (p. 33) Appendix 1.1 Screenings of Griffith’s Movies in Shanghai, 1923–24 D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Works Cited D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Notes: D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Abstract and Keywords Kristine Harris Edited by Carlos Rojas Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Love and Duty: The Backstory Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty The Aura of the Star Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Double Ruan Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Works Cited Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Notes: Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Ombres Chinoises: Split Screens and Parallel Lives in Love and Duty Fei Mu, Mei Lanfang, and the Polemics of Screening China Abstract and Keywords David Der-wei Wang Edited by Carlos Rojas Fei Mu, Mei Lanfang, and the Polemics of Screening China In Search of the “Air” of Chinese Cinema Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Eternal Regret Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Spring in a Small Town Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Works Cited Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Notes: Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China Fei Mu, Mei Lanfang, and the Polemics of Screening China A National Cinema for a Puppet State: The Manchurian Motion Picture Association Abstract and Keywords Jie Li Edited by Carlos Rojas A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association The Creation of a “National Cinema” A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association Colonization as Homecoming: Li Xianglan’s Interethnic Romances A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association Cosmopolitanism and Modernity in Manchuria’s Cities A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association The National Body under Threat from Opium and Lice A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association From Manying to Dongying, and a Postscript on The Last Emperor A National Cinema for a Puppet State: The Manchurian Motion Picture Association Works Cited A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association Notes: A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association A National Cinema for a Puppet State: The Manchurian Motion Picture Association A Genealogy of Cinephilia in the Maoist Period Abstract and Keywords Yomi Braester Edited by Carlos Rojas A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period A Space for Public Debate A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period Between Ideology and Form A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period Reaching for International Cinephilia A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period The End of an Era of Openness A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period (p. 110) The Legacy of 1950s Cinephilia Works Cited A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period Notes: A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period A Genealogy of Cinephilia in the Maoist Period Cold War Politics and Hong Kong Mandarin Cinema Abstract and Keywords Poshek Fu Edited by Carlos Rojas Cold War Politics and Hong Kong Mandarin Cinema Rebuilding Postwar Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Run Run Shaw and the Rise of “Movietown” Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Golden Age of Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema (p. 127) Martial Arts, Japanese Expatriates, Coproduction Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Epilogue Cold War Politics and Hong Kong Mandarin Cinema Works Cited Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Notes: Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Cold War Politics and Hong Kong Mandarin Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Abstract and Keywords Tsungyi Michelle Huang Edited by Carlos Rojas Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema (p. 138) From Femme Fatale to Soul Redeemer: The Transformation of “Northern Girls” Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema From Prostitutes to Mothers: Reimaging Migrants in the City Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema The Professional Elite as the New Object of Desire Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conclusion Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Works Cited Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Notes: Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema Taiwan New Cinema: Small Nation with Soft Power Abstract and Keywords Song Hwee Lim Edited by Carlos Rojas Taiwan New Cinema: Small Nation with Soft Power Soft Power: Taiwan Cinema as International Miracle Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power People Power: Cape No. 7 as Domestic Miracle Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Contesting Film Historiography: “Another Kind of Cinema” Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power (p. 162) Appendix 8.1 Major Prizes Won at the Top Three International Film Festivals (Berlin, Cannes, Venice) Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Works Cited Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Notes: Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Taiwan New Cinema: Small Nation with Soft Power Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Abstract and Keywords Michael Berry Edited by Carlos Rojas Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film China’s Hollywoods Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Hollywood-Style Chinese Blockbusters Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Hollywood/Chinese Coproductions Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Remakes of Hollywood Productions Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Artificial Hollywood Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Invisible Hollywood Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film The Rise of Bicultural Filmmakers Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film International Casting Choices Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film The Karate Kid Revisited Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Works Cited Notes: Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film Chinese Cinema With Hollywood Characteristics, or How The Karate Kid Became a Chinese Film World as Picture and Ruination: On Jia Zhangke’s as World Cinema Abstract and Keywords Pheng Cheah Edited by Carlos Rojas World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema Works Cited World as Picture and Ruination: On Jia Zhangke’s as World Cinema Notes: World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema World as Picture and Ruination: On Jia Zhangke’s as World Cinema The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form Abstract and Keywords Stephen Teo Edited by Carlos Rojas The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form Fei Mu’s Experiment The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form From Opera to Melody The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form Conclusion The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form Works Cited The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form Notes: The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form A Small History of Wenyi Abstract and Keywords Emilie Yueh-yu Yeh Edited by Carlos Rojas A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Problem Genre, a Genre Problem A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi Putting Wenyi Back into History A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi Conclusion: Bringing Wenyi Up Front (p. 237) Appendix 12.1 Film Advertisements Featuring Keywords of Wenyi, Literature, and Literary Work (1920–1940) A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi A Small History of Wenyi Works Cited A Small History of Wenyi A Small History of Wenyi Notes: A Small History of Wenyi A Small History of Wenyi Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Abstract and Keywords Wang Ban Edited by Carlos Rojas Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema (p. 252) Shanggan Ridge: Realism, Patriotism, and Technology Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and the Cold War Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Family, Class, and Internationalism Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Works Cited Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Notes: Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Art, Politics, and Internationalism: Korean War Films in Chinese Cinema Edification Through Affection: The Cultural Revolution Films, 1974–1976 Abstract and Keywords Gary Gang Xu Edited by Carlos Rojas Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Edification Through Affection: The Cultural Revolution Films, 1974–1976 Works Cited Edification Through Affection: The Cultural Revolution Films, 1974–1976 Notes: Edification Through Affection: The Cultural Revolution Films, 1974–1976 Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Abstract and Keywords Michael Eng Edited by Carlos Rojas Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity The Martial-Arts Film and the Political Unconscious Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity (p. 285) The Sick Man of Asia: Kung Fu Cinema and the Legacies of Colonial Modernity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Fist of Fury and the “Thwarted Narcissism” of the Chinese Male Body Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity The Racial Melancholia of Chinese Masculinity and Traumatic-Melancholic Cinematic Affect Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Conclusion Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Works Cited Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Notes: Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Reforming Vengeance: kung fu and the racial melancholia of chinese masculinity Desire and Distribution: Queer/Chinese/Cinema Abstract and Keywords Sean Metzger Edited by Carlos Rojas Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Genealogies Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema (p. 307) Case 1: Naked Aliens Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Case 2: Animal Instincts Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Case 3: Market States36 Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema (p. 314) First Times and the Rise of Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Works Cited Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Notes: Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Desire and Distribution: Queer/Chinese/Cinema Thirdspace Between Flows and Places: Abstract and Keywords Yingjin Zhang Edited by Carlos Rojas Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Globalization: Of Flows and Places Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace: Critical Thirding-as-Othering Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Polylocality: Toward Multiple Translocal Networks Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Intervention: Chinese Independent Documentary Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: (p. 332) Conclusion: In Between Performative Alterations Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Works Cited Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Notes: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: Thirdspace Between Flows and Places: From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama Abstract and Keywords Ying Zhu Edited by Carlos Rojas From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama The Evolution of Chinese Dynasty TV Dramas From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama 1566 as an Officialdom TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama (p. 355) Conclusion From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama Works Cited From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama Notes: From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama New Media: Large Screens in China Abstract and Keywords Audrey Yue Edited by Carlos Rojas New Media: Large Screens in China Theorizing the Large Screen New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China Large Screens in China: Zhang Yimou’s Impression Series (2004–2010) New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China Conclusion Works Cited New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China Notes: New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China New Media: Large Screens in China Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Abstract and Keywords Paola Voci Edited by Carlos Rojas Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Rethinking Chinese Cinema: The Birth of Cinema as a Myth Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator (p. 380) Online Small-Screen Cinema: Escaping Chinese Cinema’s Boundaries Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Finding Online Small-Screen Cinema in the New Media Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Conclusion: The Emancipated Spectator—Back to the Future of Cinema Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Works Cited Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Notes: Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Online Small-Screen Cinema: The Cinema of Attractions and the Emancipated Spectator Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Abstract and Keywords Jason McGrath Edited by Carlos Rojas Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Works Cited Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Notes: Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film Edward Yang and Taiwan’s Age of Auteurs Abstract and Keywords James Tweedie Edited by Carlos Rojas Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Windows onto Taipei Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Taipei Story, or the Interior Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Window Screens Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs Works Cited Edward Yang and Taiwan’s Age of Auteurs Notes: Edward Yang and Taiwan’s Age of Auteurs Edward Yang and Taiwan’s Age of Auteurs A Marriage of Convenience: Musical Moments in Chinese Movies Abstract and Keywords Darrell William Davis Edited by Carlos Rojas A Marriage of Convenience: Musical Moments in Chinese Movies Song Primacy A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies Lily White to Loyal Red A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies Integration, the Marriage Circle A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies Coda, by Way of Taiwan A Marriage of Convenience: Musical Moments in Chinese Movies Works Cited A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies Notes: A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies A Marriage of Convenience: Musical Moments in Chinese Movies Policing Film in Early Twentieth-Century China, 1905–1923 Abstract and Keywords Zhiwei Xiao Edited by Carlos Rojas Policing Film in Early Twentieth-Century China, 1905–1923 Early Debates about Film Exhibitions in China Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Early Republican Period Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 The Ban on Yan Ruisheng and the Legacy of Early Film Censorship Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Conclusion Policing Film in Early Twentieth-Century China, 1905–1923 Appendix 24.1 Eleven Rules Governing the Showing of Motion Pictures in the Evenings, 1907 Works Cited Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Notes: Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Policing Film in Early Twentieth-Century China, 1905–1923 Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Abstract and Keywords Laikwan Pang Edited by Carlos Rojas Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China A Brief Overview of the State Structure Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Nationalization of the Film Industry Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Censorship and The Story of Wu Xun Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China The Historical Threshold Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Works Cited Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Notes: Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Between Will and Negotiation: Film Policy in the First Three Years of the People’s Republic of China Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Abstract and Keywords Rey Chow Edited by Carlos Rojas Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Woman as Commodity and Fetish: Some Observations about Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Anglophone Feminist Film Theory and the Moral High Ground of Particularism Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Works Cited Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Notes: Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Fetish Power Unbound: A Small History of “Woman” in Chinese Cinema Ethnographic Representation Across Genres Abstract and Keywords Louisa Schein Edited by Carlos Rojas Ethnographic Representation Across Genres (p. 508) China as Ethnographic Object Ethnographic Representation Across Genres Ethnographic Representation Across Genres Postmen on Vacation Ethnographic Representation Across Genres A You Duo Coauthoring the Mainstream Ethnographic Representation Across Genres Ethnographic Representation Across Genres Ethnographic Representation Across Genres Ethnographic Representation Across Genres Ethnographic Representation Across Genres Ethnographic Representation Across Genres Minority Authorship as Autoethnography? Ethnographic Representation Across Genres Ethnographic Representation Across Genres Ethnographic Representation Across Genres Unraveling Alterity: Another Reading of Postmen in the Mountains Ethnographic Representation Across Genres Ethnographic Representation Across Genres Ethnographic Representation Across Genres Works Cited Ethnographic Representation Across Genres Ethnographic Representation Across Genres Notes: Ethnographic Representation Across Genres Ethnographic Representation Across Genres Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Abstract and Keywords Andy Rodekohr Edited by Carlos Rojas Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film The Big Road (1934): The Crowd’s Filmic Resurrection Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Prairie Fire (1962): Disappearing the Crowd into Myth Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film The Big Parade (1986): Deconstructing the Crowd in Ritual Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film (p. 540) Conclusion: Aftershock (2010)—The Crowd Is Missing Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Works Cited Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Notes: Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film Conjuring the Masses: The Spectral/Spectacular Crowd in Chinese Film The Idea of Asia(nism) and Trans-Asian Productions Abstract and Keywords Kwai-Cheung Lo Edited by Carlos Rojas The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions Works Cited The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions Notes: The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions The Idea of Asia(nism) and Trans-Asian Productions Film and Contemporary Chinese Art: Mediums and Remediation Abstract and Keywords Painting as a Model for Cinema Eugene Wang Edited by Carlos Rojas Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Cinematic Rehearsal of Other Visual Mediums Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Conclusion Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Works Cited Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Notes: Film and Contemporary Chinese Art: Mediums and Remediation Film and Contemporary Chinese Art: Mediums and Remediation Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Abstract and Keywords Ying Qian Edited by Carlos Rojas Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Visions of War and Cinema between Battle Actualities and Reenactments Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema From Million Heroes to Victory of the Chinese People Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema (p. 599) From a Yan’an Cinema to a PRC Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Conclusion Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Works Cited Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Notes: Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Crossing the Same River Twice: Documentary Reenactment and the Founding of PRC Documentary Cinema Remade in China: Cinema with “Chinese Elements” in the Age Abstract and Keywords Yiman Wang Edited by Carlos Rojas Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age The Gun, the Cellphone, and the Car Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age The “Original Flavor” of Hong Kong Action Cinema Equals a Hollywood Concept Plus a Chinese Market Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age The Thrilling, the Comic, and the Iconic Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Remaking “Chinese Cinema” into Cinema with “Chinese Elements” Remade in China: Cinema with “Chinese Elements” in the Age Works Cited Remade in China: Cinema with “Chinese Elements” in the Age Notes: Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Remade in China: Cinema with “Chinese Elements” in the Age Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Abstract and Keywords Carlos Rojas Edited by Carlos Rojas Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Time and Movement Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Representation Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Contagion Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Desire Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Coda Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Works Cited Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Notes: Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s Along the Riverrun: Cinematic Encounters in Tsai Ming-Liang’s (p. 647) Afterword (尾聲): chinese cinema as monkey’s tail (p. 647) Afterword (尾聲) chinese cinema as monkey’s tail Edited by Carlos Rojas (p. 647) Afterword (尾聲): chinese cinema as monkey’s tail (p. 647) Afterword (尾聲): chinese cinema as monkey’s tail (p. 650) Filmographies (p. 650) Filmographies Edited by Carlos Rojas (p. 650) Filmographies By Year (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies II. By Chinese Title (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies Films with No Original Chinese Title (p. 650) Filmographies By Director (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 650) Filmographies (p. 680) (p. 681) Index (p. 680) (p. 681) Index Edited by Carlos Rojas (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index (p. 680) (p. 681) Index