Reading Images and Texts: Medieval Images and Texts as Forms of Communication. Papers from the Third Utrecht Symposium on Medieval Literacy, Utrecht, 7-9 December 2000

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Relations between images and texts have benefited from an increase in scholarly attention. In medieval studies, art historians, historians, codicologists, philologists and others have applied their methods to the study of illuminated manuscripts and other works of art. These studies have shifted from a concern about the contents of the messages contained in the artefacts (e.g. in iconography) to an interest in the ways in which they were communicated to their intended audiences. The perception of texts and images, their reception by contemporaries and by later generations have become topics in their own right. According to some, medieval images may be ‘read’. According to others, the perception of images is fundamentally different from that of texts. The analysis of individual manuscripts and works of art remains the basis for any consideration of their transmission and uses. The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts. Front matter (“Contents”, “Preface”, “Abbreviations”), p. i Free Access Reading Images and Texts: Some Preliminary Observations Instead of an Introduction, p. 1 Marco Mostert https://doi.org/10.1484/M.USML-EB.3.4323 Corporeal Texts, Spiritual Paintings, and the Mind’s Eye, p. 9 Herbert L. Kessler https://doi.org/10.1484/M.USML-EB.3.4324 Was Art Really the “Book of the Illiterate”?, p. 63 Lawrence G. Duggan https://doi.org/10.1484/M.USML-EB.3.4325 Reflections on “Was Art Really the ‘Book of the Illiterate’?”, p. 109 Lawrence G. Duggan https://doi.org/10.1484/M.USML-EB.3.4326 Paradise and Pentecost, p. 121 Claudine A. Chavannes-Mazel https://doi.org/10.1484/M.USML-EB.3.4327 Changing Perceptions of the Visual in the Middle Ages: Hucbald of St. Amand’s Carolingian Rewriting of Prudentius, p. 161 William J. Diebold https://doi.org/10.1484/M.USML-EB.3.4328 Oral Tradition in Visual Art: The Romanesque Theodoric, p. 177 Michael Curschmann https://doi.org/10.1484/M.USML-EB.3.4329 Perceptions of the History of the Church in the Early Middle Ages, p. 207 Rosamond McKitterick https://doi.org/10.1484/M.USML-EB.3.4330 Saintly Images: Visions of Saints in Hagiographical Texts, p. 221 Wolfert S. van Egmond https://doi.org/10.1484/M.USML-EB.3.4331 Pictor Iconiam Litterarum: Rituals as Visual Elements in Early Medieval Ruler Portraits in Word and Image, p. 239 Mariëlle Hageman https://doi.org/10.1484/M.USML-EB.3.4332 Paulinus of Nola and the Image Within the Image, p. 261 Giselle de Nie https://doi.org/10.1484/M.USML-EB.3.4333 Meditations on a Christmas Card: Strategies of Empathy in a Fourteenth-Century Liturgical Illumination, p. 291 Karl F. Morrison https://doi.org/10.1484/M.USML-EB.3.4334 The Wall Paintings in the Campanile of the Church of S. Nicola in Lanciano (c. 1300-1400): Reading an Unknown Legend of the Cross in the Abruzzi, p. 311 Barbara Baert https://doi.org/10.1484/M.USML-EB.3.4335 Cum ipso sunt in hac nativitate congeniti: Dove, Throne and City in the Arch Mosaics of Sta. Maria Maggiore in Rome (432-440), p. 367 Caecilia Davis-Weyer https://doi.org/10.1484/M.USML-EB.3.4336 Les Peintures de la Crypte de Tavant: Etat de la Question et Perspectives de Recherche, p. 395 Eric Palazzo https://doi.org/10.1484/M.USML-EB.3.4337 La Piété Princière dans l’Image et dans la Parole: Le Pavement Orné de Wiślica (Petite Pologne) de la Deuxième Moitié du xiie Siècle, p. 425 Anna Adamska https://doi.org/10.1484/M.USML-EB.3.4338 The Ambiguity of Eros: An Image of the Antique God of Love in a Christian Encyclopaedia, p. 445 Esther Mulders https://doi.org/10.1484/M.USML-EB.3.4339 Ottonian Tituli in Liturgical Books, p. 457 Henry Mayr-Harting https://doi.org/10.1484/M.USML-EB.3.4340 Texte et Image dans le Manuscrit de Madrid de la Chronique de Skylitzès, p. 477 Michel Kaplan https://doi.org/10.1484/M.USML-EB.3.4341 ‘Reading’ Images and Texts in the Bibles moralisées: Images as Exegesis and the Exegesis of Images, p. 495 John Lowden https://doi.org/10.1484/M.USML-EB.3.4342 Les Images de la Porte Romane comme un Livre Ouvert à l’Entrée de l’Église, p. 527 Xavier Barral i Altet https://doi.org/10.1484/M.USML-EB.3.4343 Plates, p. 545 https://doi.org/10.1484/M.USML-EB.3.4344