ENGLISH

The Weaponized Camera in the Middle East: Videography, Aesthetics, and Politics in Israel and Palestine

Book information

Publisher
I.B. Tauris
Year
2021
ISBN
1838602712, 9781838602710
Language
english
Format
PDF
Filesize
41 MB (42499417 bytes)
Series
International Library of Ethnicity, Identity and Culture
Pages
272\285
Time added
2021-11-18 06:51:59

Description

Drawing on unprecedented access to the video archives of B'Tselem, an Israeli NGO that distributes cameras to Palestinians living in the West Bank, East Jerusalem, and the Gaza Strip, Liat Berdugo lays out an argument for a visual studies approach to videographic evidence in Israel/Palestine. Using video stills as core material, it discusses the politics of videographic evidence in Israel/Palestine by demonstrating that the conflict is one that has produced an inequality of visual rights. The book highlights visual surveillance and counter surveillance at the citizen level, how Palestinians originally filmed to “shoot back” at Israelis, who were armed with shooting power via weapons as the occupying force. It also traces how Israeli private citizens began filming back at Palestinians with their own cameras, including personal cell phone cameras, thus creating a simultaneous, echoing counter surveillance. Complicating the notion that visual evidence alone can secure justice, the Weaponized Camera in The Middle East asks how what is seen, but also who is seeing, affects how conflicts are visually recorded. Drawing on over 5,000 hours of footage, only a fraction of which is easily accessible to the public domain, this book offers a unique perspective on the strategies and battlegrounds of the Israel/Palestine conflict. Cover Half Title Title Copyright Dedication Contents Figures Plates Acknowledgments Introduction Chapter 1 Camera as Revelatory Tool of Exposure Chapter 2 Camera As Shame-Producer Chapter 3 Camera as Mirror Chapter 4 Camera as Shield Chapter 5 Camera as Evidence Chapter 6 Camera as Weapon Closing Words Notes References Index Plates

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