Drawn from Life: Issues and Themes in Animated Documentary Cinema

Description

Drawn from Life Copyright Contents Figures The Contributors Editors’ Introduction Part 1 Past and Present 1 From Contextualisation to Categorisation of Animated Documentaries 2 Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema 3 Indeterminate and Intermediate or Animated Nonfiction: Why Now? Part 2 Defining Terms and Contexts 4 Animated Documentary, Recollection, ‘Re-enactment’ and Temporality 5 The Documentary Attraction: Animation, Simulation and the Rhetoric of Expertise 6 Never Mind the Bollackers: Here’s the Repositories, Sites and Archives in Nonfiction Animation Part 3 Films and Filmmakers 7 Drawings to Remember 8 Adorno, Lewis Klahr and the Shuddering Image 9 The Reasons for Animating Reality: Animated Documentary and Re-enactment in the Work of Jonas Odel 10 Memory Drawn into the Present: Waltz with Bashir and Animated Documentary Part 4 Practice-based Perspectives 11 Making The Trouble with Love and Sex 12 ‘Does this look right?’ Working Inside the Collaborative Frame 13 Creative Challenges in the Production of Documentary Animation Index