Umberto Eco and the Open Text
Book information
Description
1. Umberto Eco's intellectual origins: medieval aesthetics, publishing and mass media 2. The open work, misreadings, and modernist aesthetics 3. Cultural theory and popular culture: from structuralism to semiotics 4. From semiotics to narrative theory in a decade of radical social change 5. 'To make truth laugh': postmodern theory and practice in The Name of the Rose 6. Interpretation, overinterpretation, paranoid interpretation, and Foucault's Pendulum 7. Inferential strolls and narrative shipwrecks: Six Walks and The Island of the Day Before 8. Conclusion Bibliography.
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